HAPPY DAYS: The Fourth Season

Written by Hombre Divertido

In 1980 ABC launched the Saturday-morning animated show Fonz and the Happy Days Gang. Unfortunately, the television show Happy Days had become a cartoon five years earlier.

As was common in the seventies and eighties, a series was created, and once a breakout star was established, said star was exploited, even to the detriment of the series. The show from whence the term “Jump the Shark” originated actually did so before that notorious act was carried out. In season three Happy Days became The Fonzie Show, and the innocence of high-school kids in the fifties portrayed so well in the first two seasons was gone. So was the integrity of the show.

One certainly can’t argue with the decision to focus the show on Fonzie (Henry Winkler), as season four was the highest rated in the show’s history. Paramount has now released all twenty-three episodes in a four-disc set.

From the start of season four, it was obvious that the only important thing was to give Fonzie as much airtime as possible, no matter how ridiculous the writing. The season opens with a three-part (or two-part depending how technical you want to get) episode entitled “Fonzie Loves Pinkie” featuring Roz Kelly as his love interest. These three episodes have all the elements of a cartoon and a major-fromage factor. The rest of the season follows suit with contrived episodes that, for the most part, sadly pushes the rest of the cast to supporting roles.

The episode where Fonzie gets baptized certainly takes a religious turn for a show of that era, and does have a surprising level of poignancy. There are also some brief instances of the other actors getting a chance to display their comedy chops, for instance: Ron Howard in “A Place of His Own” and Anson Williams in “Fonzie Hero” to name a few. Nonetheless, the show hits a new low in “Spunky Come Home” which revolves around Fonzie losing his dog.

Winkler was and is a talented performer who portrayed Fonzie with true commitment, but he didn’t deserve to be required to carry the whole show.

The season does include some pleasant guest appearances but most of the following talent is wasted: Marc McClure, Charlene Tilton, Diana Hyland, Nancy Walker, Dick Van Patten, Linda Kaye Henning, Eddie Mekka, and Conrad Janis.

The only listed “Special Feature” in this set is certainly generously titled. Since the third anniversary episode is the standard flashback episode, which was poorly constructed and executed, and was broadcast as part of the season, it seems a bit unethical to call it a bonus feature.

Recommendation: This is trite television that wastes the talents of Ron Howard, Tom Bosely, Marion Ross, Donnie Most, Anson Williams, and others. Happy Days was better when it was an ensemble show. This is only for the true fan.

HAPPY DAYS: The Third Season

Written by Hombre Divertido

Is it possible that the series that literally jumped the shark actually did so before the storyline played out? Since the series aired for eleven seasons from 1974 until 1984, it would be tough to say that the third season was the beginning of the end, but it certainly reflected a drastic change in the focus of the show.

Season Three is simply when it became Fonzie’s (Henry Winkler) show. When Happy Days premiered in 1974 after having its pilot run on Love American Style, it was a coming-of-age show revolving around Richie Cunningham (Ron Howard) and his exploits with pals Potsie (Anson Williams) and Ralph (Donny Most). Fonzie was relegated to a supporting character.

Ironically the title of the first episode of Season Three is “Fonzie Moves In,” and that is exactly what he does in more ways than one. Fonzie rents the apartment above the Cunningham’s garage, which allows for the character to be involved in more storylines. Though not the complete end of the original format of the show; the writing was clearly on the bathroom wall.

Though Season Three still has some fun episodes, there are more stories revolving around the Fonz, than in the two previous seasons combined. What makes this season work more than those yet to come on DVD is that Fonzie is still just the local tough guy and mentor to Richie, and not yet the all-powerful superhero that he would eventually evolve into.

With legendary television director Jerry Paris at the helm for all but three of this season’s episodes, they all have a solid pace and a nostalgic feel to them. Some of the episodes are a bit too contrived such as “Two Angry Men” which has Mr. Cunningham (Tom Bosley) and Fonzie squaring off in court over a collapsed roof, but there are some gems here. In “Richie Fights Back” we see some of the best comedy generated by Ron Howard in his seven seasons on the series, and in “A Date with Fonzie” we are introduced to Laverne and Shirley.

There are actually no extras in this set, though they are listing the “second anniversary” episode as a special feature. Unfortunately it is nothing more than a contrived thirty-minute episode that revolves around a surprise birthday party for the Fonz where the regulars sit at Arnold’s and reminisce while clips from the previous two seasons are shown.

Recommendation: Get it while it is still good. Some bonus features would have been nice, but this is a must-have for the true fan, because it’s pretty much downhill from here.