Showing posts with label horror. Show all posts
Showing posts with label horror. Show all posts

Sunday, October 24, 2010

MY SON, MY SON, WHAT HAVE YE DONE

Written by Fantasma el Rey

What happens when Werner Herzog has a project and David Lynch says, “when can we start?” My Son, My Son, What Have Ye Done is the result. Herzog directs and Lynch produces this non-linear look at insanity that is well acted and directed with an odd story based on fact. And yes, it is a bit weird, as both are known for; no let down there at all.

Werner Herzog had been kicking this idea around for years before having the time and backing to get it onto film. The basic story is simple: guy goes crazy, gets really into Greek tragedy, and runs his mum through with a saber. That’s seriously the gist of the true aspect of this tale. Back in the late ‘70s a guy from San Diego, California, Mark Yavorsky did just that and served years in a mental ward for it. Co-screenwriter Herbert Golder thought this would make a great film, so he began his many interviews with Yavorsky that would span years before finally being joined by Herzog in their last interview in 1995. A script was soon written but sat on the self for years until Herzog met Lynch and the script was finally put into production and released in 2009.

The film moves away from the facts of the case very fast as the majority of the film is fiction and delivered in a way that Herzog described as "a horror film without the blood, chainsaws and gore, but with a strange, anonymous fear creeping up in you." That’s a good way to put it as he builds the suspense in a non-traditional way. In the first five minutes we know who the killer is but not why, which is what the film builds on, as goes the tag line, “The Mystery Isn’t Who, But Why.”

As the film rolls on we are introduced to more characters and the roles they play in the drama. Of course, there’s our lead nut job and mama's boy Brad McCullum, played briliantly by Micheal Shannon; his overbearing mother, Lynch-regular Grace Zabriskie; and his devoted girlfriend (Chloe Sevigny). Rounded out the main players are Willem Defoe as Detective Hank Havenhurst (one more odd detective role for Defoe), the outstanding Udo Kier as theater director Lee Meyers, and Brad Dourif as McCullum’s weird ostrich-raising Uncle Ted.

The plot thickens as the story moves from Brad’s trip to Peru where he finally, for some reason, flip outs and sees the world in a new light to his return home where he freaks out his friends and family with his new insight and view of life. He gets the lead in a play, loses it, but continues to obsess over it, and the real sword he received from his uncle to use as a prop, which he carries all the time and becomes too close to. With sword in hand and more odd gestures and acts of insanity, he continues to further freak people out and becomes more reclusive as he loses more of his mind.

Eventually he kills his mother in a neighbor's house and keeps police at bay while he holes up in his boyhood home with his two hostages. That’s how the story unfolds and brings us to the abrupt ending. The real story lies in the unraveling of Brad’s mind. We get certain glimpses of his past and some reveling moments of what he hopes his lasting impact will be. We also get a hint of that with some of his more sane acts throughout the movie.

Herzog paints the picture of insanity well as he spins this tale of a man’s mental breakdown. He wanted to focus on the poetry of the insanity as opposed to the clinical aspect of it. He has actors freeze or slow up in certain key moments to show some points where things change or become different or more clear. Some elements in the story have to be read into a bit more to really catch what Herzog is getting at. The ostriches and how they hide their heads in the sand, which is never shown but can be seen as metaphor for how McCullum’s family and friends don’t really speak out or try too hard to figure what really broke his brain. Besides the obvious meddling of his mother in his life, we can only guess that he was somehow more abused as a child than is being shown on film or mentioned or perhaps one day he simply snapped and that’s that, as they say. But watch and interpret as you will, viewers, I can only say what I see and bring my own thoughts to the film as should you.

The DVD features an audio commentary track by Herzog that is very insightful as well as a thirty-minute interview with Herzog and members of his team with some good behind-the-scenes footage. Also included on the DVD is a short film by Ramin Bahrani, “Plastic Bag” that was narrated by Herzog. Another odd film about the life and adventures of a plastic bag and where the wind takes it.

Article first published as DVD Review: My Son, My Son, What Have Ye Done on Blogcritics.

Friday, October 15, 2010

THE EXORCIST (Blu-ray)

Written by Senora Bicho

I love scary movies, intense, nail-biting, edge-of-your-seat, scary movies. Most today do not live up to my definition; they involve lots of blood, gore, and torture but little suspense. The Exorcist is arguably the standard to which all truly frightening movies must live up to.

Chris MacNeil (Ellen Burstyn) is an actress raising her 12-year-old daughter Regan (Linda Blair) with an absent father. It is evident from the start that mother and daughter are very close and share a loving relationship. Regan is a very happy and normal young girl. Due to the close nature of their relationship, Chris notices immediately when Regan's behavior changes. What starts with seizures and possible physical ailments turns into something much more disturbing and psychological. Doctors prescribe medication and therapy but nothing is working and while the behavior intensifies Regan must be isolated and locked in her room.

Chris comes to believe that Regan is possessed and her only solution is an exorcism. She meets with Father Karras (Jason Miller), a priest and psychologist who has started to doubt his faith while dealing with the guilt of his mother's death. He reluctantly agrees to meet Regan but eventually comes to the same conclusion. He convinces the church to bring in Father Merrin (Max Von Sydow) to perform an exorcism which results in the ultimate battle between good and evil.

The new two-disc Blu-ray collection includes the Extended Director's Cut from 2000 and the original theatrical cut. There isn't anything particularly noteworthy with the extra material except for the spider-walking scene. While they were able to improve the scene with new technology, it still feels out of place and over the top. The extended cut disc offers a new documentary broken into three parts: "Raising Hell: Filming the Exorcist", "The Exorcist Locations: Georgetown Then and Now" and "Faces of Evil: The Different Versions of the Exorcist". There is also a new commentary by director William Friedkin, which is one of the rare commentaries worth listening to because he provides interesting insights and background information heightening the meaning of scenes and the film overall.

The Original Theatrical Version disc includes an introduction by Friedken and separate commentaries by Friedkin and by William Peter Blatty, who adapted his novel for the screenplay. There is also a 1998 documentary, interview gallery, and original ending.

The Blu-ray comes in a digibook and has been given a 1080p/VC-1 encoded transfer displayed with a 1.78:1 aspect ratio that is hit or miss. The print looks good but suffers from intermittent artifacts appearing throughout. The image shows the expected softness of its age but still offers good details. The level of grain rises to distracting levels at times, such as a scene with Father Karras and Chris walking together. Colors are strong. Blacks aren't as consistent and suffer from occasional crush.

The EDC has a DTS-HD Master Audio 6.1 surround track and the OTC has a DTS-HD Master Audio 5.1. There is good ambiance coming from the surrounds and the Devil makes good use of the subwoofer. Objects are positioned well and can be heard moving through the soundfield. While the enhanced subtle sound effects are amazing and really add to the creepiness of the film, intense scenes that should draw the viewer deeper into the action do just the opposite. Those scenes are so much louder that they actually threw me out of the story. They feel less believable because the effects are so aggressive they become unrealistic, in part, because they don't balance well with the dialogue, which gets buried at times.

While The Exorcist still offers thrills and chills, this Blu-ray package isn’t the best showcase as the Extended Director's Cut is unnecessary and the move to high definition is problematic in some areas.

Wednesday, September 15, 2010

Supernatural - The Complete Fifth Season (Blu-ray)

Written by Pirata Hermosa

When we last left our heroes Sam (Jared Padalecki) and Dean (Jensen Ackles) in Season Four, Sam had just slain the demon Lilith, inadvertently breaking the final seal which released Lucifer and started the Apocalypse. In season five, the brothers try to find a way to save the world by either killing the Devil or sending him back to Hell.

But finding a way to vanquish Lucifer isn’t an easy task, and compounding things even more is that the angels whom you would expect to fight on their side are actually looking forward to the Apocalypse and settling things once and for all. This puts Sam and Dean in the middle of the fight between good and evil.
While there are some direct confrontations with Lucifer, the only thing that keeps the duo alive is the fact that Sam is destined to be Lucifer’s vessel on Earth and Dean is destined to be the vessel for the Archangel Michael. And even as powerful as the two beings are, they cannot possess a vessel without that vessel's permission.

With the help of the angel Castiel (Misha Collins) who turns his back on his brethren to help the two brothers, the three find themselves on a journey to find God, defeat each of the four horsemen, and risk their very souls.

There are still several self-contained episodes during season five like “Changing Channels”, where Sam and Dean find themselves trapped inside a television world by the Trickster and must find a way to escape. It’s one of the better episodes, even though we’ve seen this similar idea in films and other television shows. But it’s the main arc of the show that has become more significant.

Every episode is linked somehow to the Apocalypse. Whether it’s an episode focusing on the loss of hope as God is nowhere to be found, walking into a Supernatural convention based on their story, or running into gods of other religions, it all comes together.

The most satisfying stories deal with the four horsemen. Each of the horsemen has its own storyline and is blended into the story to fit a modern-day representation instead of a straight biblical reference.

The video is in 1080p High Definition with an aspect ration of 1.78:1 and is paired with 5.1 Dolby Digital audio. The video can be equated to movie quality in its sharpness and clarity. But as with most television shows it does not use the full capability regarding its audio.There are four Blu-ray discs included in the set containing all 22 episodes. The fourth disc holds all of the Special features.

“Gag Reel” is a little better than most gag reels as it’s not all about somebody flubbing a line or just not being able to control their laughter. There’s a number of prop issues, adlibs, and general silliness that makes it better than average.

“Ghostfacers” contains 10 episodes of the web series based on characters that Sam and Dean ran into during an episode. It’s a spoof on those TV shows like Ghost Hunters where a team goes into supposed haunted building to see if they can actually find a real ghost. Entertaining, but with each webisode only being a few minutes each it doesn’t even add up to one Supernatural episode.

Supernatural: Apocalypse Survival Guide” is an interactive walk through Bobby’s house. You can look at books and videotapes, with each item linking you to a specific feature. The videotapes are basic VHS tapes and actually look like you are watching an old tape. The features are interesting as several of them deal with historical bible references and the overall theology of the show, while others give you a behind-the-scenes look.

A lot of work and research has gone into the making of the show. For all of its dark themes and biblical references, it’s very entertaining filled with just the right amounts of suspense, action, and comic relief that make it one of the best horror shows on television.

Thursday, January 07, 2010

JENNIFER'S BODY (Blu-ray)

Written by Pirata Hermosa

The story begins with Anita (Amanda Seyfried), “Needy” as her friends call her. She’s narrating the story to explain how she ended up in the mental hospital where we now find her.

Just a few months earlier she was a nerdy girl in high school, hanging out with her boyfriend, Chip (Johnny Simmons), and her best friend, Jennifer (Megan Fox). They all lived in a small town called Devil’s Kettle, which was named after a nearby waterfall that emptied into a bottomless hole in the ground.

Jennifer and Needy had been best friends since they were little kids. Needy was the quiet reserved type, while Jennifer was the wild one getting them into all kinds of crazy situations. And to live up to this reputation, Jennifer convinces her friend to accompany her to some dive bar where she’s looking to hook up with the lead singer of a barely known band from the big city called “Low Shoulder”.

The band is your typical bunch of sleazeballs led by Nikolai (Adam Brody) who seems more interested in figuring out if Jennifer is a virgin than the music he’s playing. In the middle of the performance, one of the lighting rigs catches fire and within minutes the entire building is on fire. The two girls manage to escape through the bathroom and run directly into Nikolai. While the girls are still in shock, he leads Jennifer over to the band’s van and drives away with her.

Later on, when Needy can’t contact Jennifer on her cell phone she becomes worried. But shortly afterwards, Jennifer shows up in her kitchen covered in blood and vomiting up black bile. Just as quickly as she appears, she disappears and leaves Needy terrified.

While Jennifer appears to be her normal self and acts like nothing happened, she is actually killing and eating the boys around school. Nobody in town suspects who the cannibal is, but Needy knows that something is wrong and has her suspicions confirmed when Jennifer shows up in her bedroom and confesses that she is the killer. She also tells her how the guys from Low Shoulder drove her out to the falls and used her as a virgin sacrifice to Satan.

Needy does some quick research in the occult section of the school library and discovers that they performed the ritual incorrectly. They needed to sacrifice an actual virgin, which they did not. Instead when they sacrificed non-virgin Jennifer it allowed a demon to escape from hell and possess her body. Needy must now find a way to defeat the demon and save the town.

Starring what some consider one of the most beautiful women in the world, in a film called Jennifer’s Body, you’d think you might actually see Jennifer’s body. But no, there’s no nudity, no slow camera pans over her figure, or even an ounce of sexiness in the film.

Overlooking that, you might be able to forgive it because it’s supposed to be a horror film. But once again it fails because it’s not very scary or filled with any gore. Most of the horror aspect is only alluded to with the cameras turning away before you see anything or what is done is via silhouette. Even the format in which it’s told as one big flashback removes any suspense as the audience already knows that Needy lives through it all.

The writing is bad as it’s obvious that the writer is trying to make up new terminology that we should be using, such as “Salty” for someone who is hot looking and “Jell-O” for being jealous, and a number of the plot points just don’t make basic sense. Nobody in the world would have chosen Jennifer, dressed like a hooker, pushing alcohol, and aggressively flirting as "the virgin" over the timid, mousey, plain-looking, nerdy girl. Would you? The satanic ritual performed by the band was taken off the Internet and contained about three words. Why would the demon come to Needy and confess to her that she was the murderer? What small town would have a giant occult section in the school library?

For a film that almost puts you to sleep, the ending was actually pretty cool. It’s the only part of the film that actually makes you want to see more, probably because it’s about five minutes long and is done in a montage sequence where you see Needy escape the mental institute and deal out some vengeance to the boys of Low Shoulder.

The Blu-Ray version is presented in 1.85:1 widescreen with DTS-HD Master Audio and includes two discs. The first disc is a digital copy for your computer. The second disc includes both the theatrical and extended versions of the film, plus all of the bonus features. The video quality of the disc is a little grainy, but with most of the scenes shot with limited lighting the quality didn’t matter as much. There were some issues with the sound mixing. The dialogue was much too quiet compared to the music. I had to have the remote control in hand throughout the film as the music would suddenly just start blasting at full volume from my stereo system. I even checked the settings of my equipment just to make sure it wasn’t my fault. The actual sound quality seemed just fine, but I must confess that I am not a big fan of any of the songs on the soundtrack

The Bonus Features include:

A commentary by director Karyn Kusama and writer Diablo Cody on the theatrical version only and a commentary by Kusama on the extended version.

Deleted Scenes: most of these scenes were deleted for good reason, but there is a scene in the girls’ locker room that should have been left in. It’s actually pretty important as it helps make sense of why Needy is afraid of Jennifer going to the dance, and why Jennifer goes after Chip.

Gag Reel: there’s just a couple of bloopers and then it becomes a music video mixed in with random footage.

"Jennifer’s Body: The Dead Pool" is an in-depth discussion and behind-the-scenes look into the film’s climax where the two girls fight one another in a pool to save Chip’s life. Not only does it discuss the motivation, but it also shows you how all of the special effects were done.

Video Diaries of the cast members as they run around with handy cams taking uneventful home videos.

"Megan Fox is Hot" is not really a feature, but 30 seconds of Megan Fox close-ups from the movie.

"Megan Fox Peer Pressure PSA" starts off as a serious PSA announcement about peer pressure in school that talks about how you should be yourself and then completely changes gears when you realize it’s being told from Jennifer’s demonic point of view.

"Fox Movie Channel presents Life after Film School with Writer Diablo Cody": three film students do a serious interview with the writer. They discuss how she became a writer, her life as a stripper, and what it was like to win an Oscar.

Overall, Jennifer's Body is kind of a blah film as it feels like everyone is just going through the motions. The acting is pretty uninspiring and Megan Fox’s performance is just terrible. The storyline is just a regurgitated version of prior horror genre films that did a better job of telling the story the first time around.

Saturday, October 31, 2009

Hammer Glamour by Marcus Hearn

Written by Fantasma el Rey

Based in the United Kingdom, Hammer Film Productions has long been known for their Gothic horror movies, often re-imagining the 1930s Universal Monsters to much success. Movie fans in general will be familiar with Hammer for some reason, be it through their brand of horror, film noir, sci-fi or Raquel Welch’s pre-historic bikini. Throughout their long history Hammer has been known for their lovely women stars and co-stars, affectionately known as the Hammer Glamour. Now author Marcus Hearn has put together one hell of an introduction to the hotties of the Hammer world and titled his book simply Hammer Glamour.

This hardcover coffee-table book is packed with 160 pages of gorgeous women in provocative poses on great movie sets as they invite fans from all over the world into the Hammer house of horrors. Hearn does a magnificent job in his brief introduction giving a quick history of Hammer Film Productions. The book provides good overviews of the ladies’ careers before and after their Hammer days. The stars are alphabetized and given a page, sometimes two, of info to go along with their awesome photos.

The beauties are given a full page of one of their best shots as well as two or three smaller pics that fill out the info page. The bright color and stunning black and white photos allow the ladies and their wonderful costumes to live again. Most photos were taken on location or on the wonderful sets Hammer created. Also included is a list of the Hammer films they appeared in, making for another great reference for Hammer films to see.

The beauties that Hammer Films used throughout the years are all here including the above-mentioned Raquel Welch along with Ursula Andress, Eva Bartok, Vera Day, Suzan Farmer, Barbara Payton, Stefanie Powers, Janette Scott, Barbara Shelly, and a very young Nastassja Kinski to name but a few of the over fifty profiles featured. Besides Welch’s steaming shot on hot rocks there are absolutely fabulous photos of Yutte Stensgaard in a very Marilyn Monroe-like pose on red satin sheets (here shot on a vampire’s bed), Caroline Munro in thigh-high black boots as a vampire vixen, and Valerie Leon in a black bikini/lingerie piece that’s just incredible. There’s a lot of that by the way: bikini, lingerie, low cut, cleavage shots, and tons of high boots and hemlines. Some of these starlet’s names are simply alluring as is the case with Olinka Berova, Carita, Ingrid Pitt, Catherine Von Schell, and Victoria Vetri; these names have flair and roll of the tongue.

Marcus Hearn delivers a fascinating look through his photo selections and interesting sketches of the women and people tangled in the Hammer web. Hammer Glamour is a must for Hammer film fans as well those interested in beauties of the silver screen, pin-up girls, and overall knock-out photos of hot women in timeless poses. Never mind the $29.95 price tag. Pick it up for the hotties and cherish it for the bits of movie history and gossip it provides.

Tuesday, October 20, 2009

THE WILLIAM CASTLE FILM COLLECTION

Written by Fantasma el Rey

William Castle, "the master of ballyhoo" knew what people wanted and how to hook them into buying a ticket. A wizard sideshow barker from the old school that filled seats and made a profit from his low budget horror films. He had a knack for finding the gimmick and pitching the hell out of it. This new five-DVD set offers eight gems, originally released by Columbia Pictures in the late '50s and early '60s, each running at a "fun" time of about 90 minutes. So join me, if you dare, as I take a peek at The William Castle Film Collection.

Castle's films didn't make a fortune but they made enough that the studio kept bringing him back to do more of what he did best: low-budget, gimmicky, spook movies. Hitting with Macabre and House On Haunted Hill in '58 and '59 Columbia brought him in to produce and direct. The films here aren't in chronological order but their placement does make sense in an odd way.

Disc one pairs 13 Frightened Girls (1963) and 13 Ghost (1960). Girls is a laughable look at the spy world as a young daughter of an international diplomat secretly, and unbeknown to daddy, gets involved with his intricate affairs. While getting chased by "Reds", she narrowly avoids death, capture, and becoming too entangled in the web of deceit that is being a secret agent. She also has 12 friends that attend the same Swiss boarding school to help her along the way, thus the title.

13 Ghost is a standard haunted house story, inherited by an unknowing family somehow related to the recently deceased that promised "13 times the thrills! 13 times the chills! 13 times the fun!" The gimmick here, 'cause Castle nearly always had one, was his use of "Illusion-O," a handheld piece of cardboard that had two transparent colored strips that would be used at the proper time. One was blue, to see the ghosts, the other red if you didn't want to see the ghosts, mostly pointless as the ghost would appear no matter what.

Disc two's Homicidal (1961) and Strait-Jacket (1964) are dominated by strong stories and the glue that is gore. Homicidal is an obvious "homage" to Hitchcock's Psycho with certain scenes filmed very much the same way. Our lead gal is a hot blond and our creepy male lead is an oddball with something not quite right about him. The twist at the end and the actual showing of stabbings put this one just over the Psycho edge. The gimmick is the "fright break" 45 seconds before the climax of the film which allowed folks to leave and get their money back but they had to hangout in the "coward's corner" for the remainder of the picture.

Apparently told to hold the gimmicks for Strait-Jacket, Castle went out and found something even better, Joan Crawford. After seeing What Ever Happened To Baby Jane? Castle had to create his own and hired Psycho author Robert Bloch to cook up a story that featured the aging Crawford. She plays an older women returning home to her daughter after being locked up for 20 years in an asylum for hacking up her husband and his lover with an axe. Upon her return, more folks begin to get whacked and who is to blame? That's right ol' Miss Crawford or is she? This one is enjoyable all the way to its twisted, axe-swinging end.

On disc three we venture into The Old Dark House (1963) and meet Mr. Sardonicus (1961). As the title implies, The Old Dark House is about just that and not much else. An American car salesman in England gets involved with a family of kooks in an old, rundown mansion and is almost killed as he investigates who is bumping off the others. Tom Poston (from TV's Newhart) makes this spooky comedy enjoyable but overall this one is passable.

Mr. Sardonicus takes us back to England, this time in a gothic tale set in 1880s London and is the story of a once decent fellow, Baron Sardonicus, forced to do ghoulish deeds. His face hideously frozen in a bizarre smile (very reminiscent of The Man Who Laughs), he attempts to pressure a talented doctor into restoring his good looks or suffer the consequences. Meanwhile, Sardonicus tortures young girls from the village with leeches and other devices as he gets his jollies and hides his true face behind a mask. A good film that finds Castle reaching back to the past and putting us in a setting much like the Universal monsters roamed. The gimmick here is The Punishment Poll, a card given to the crowd with thumbs up or down to decide the fate of Mr. Sardonicus. Castle appears and makes the tally himself.

Disc four is all comedy, intended or not, with The Tingler and Zotz! Tingler is a dumb movie with an outrageous plot that somehow Vincent Price gets to work. A lobster-like creature lives in the human spinal cord and is only active during fright but by screaming it's stopped and can no longer do harm. Price, a doctor, captures one. It gets lose in a theater and runs amuck leading to the gimmick of Percepto. Some seats where rigged to vibrate at a key moment in the film and gave the audience a "scream" or a giggle. Price and the really bad creature make this dumb flick fun.

Zotz! tells of an absentminded professor (Tom Poston) who comes across an ancient coin with magical powers. He tries to tell his fellow staff members, who laugh at him, and the government, who laugh as well. But they stop laughing when the "reds" show up and kidnap our hero who uses the power of the coin to thwart their efforts. He and the coin return safe and sound. It's an all-right comedy with some funny moments when watched at social gathering. Those who went to see this got a "magic" coin; tales tell it did nothing.

Finally there is a bonus disc with the documentary Spin Tingler! The William Castle Story featuring interviews from many people who knew or where influenced by Castle, including his daughter Terry, John Waters, Roger Corman, John Landis, and Joe Dante. We get a further look at Castle's adventures in life, movies, and what made him tick, his wife and family. The special feature on the documentary is a cool audio commentary by producer/director Jeffrey Schwarz and Terry. It's a great look at the life of a man who directed many films of all genres and could turn nothing into something.

The featurettes on the four other discs are pulled directly from this documentary and edited to focus on a specific film and/or gimmick. Along with those featurettes are other making-of pieces, vintage promo shorts, alternate opening sequences, and a bunch of original trailers. The set also includes two good episodes from the Castle-produced TV series Ghost Story (1972-73). So hurry, hurry, step on out and get your copy to enjoy and witness the ghoulish glory that is The William Castle Film Collection.

Sunday, October 04, 2009

THE STEPFATHER (1987)

Written by Senora Bicho

The Stepfather
is a thriller loosely based on the real case of John List. I was a 14-year-old when it was released and remember it being pretty creepy. I haven’t seen it in many years and was curious if it would still be as spine-chilling as I remembered.

It opens with a blood-covered man who has apparently just murdered his family. He cleans himself up, takes his bloody clothes, and leaves town. One year later, he appears as Jerry Blake (Terry O’Quinn) and is recently married to widow Susan Main (Shelley Hack). Susan’s 16-year-old daughter Stephanie (Jill Schoelen) dislikes Jerry and blames him for creating distance in the relationship with her mom. When Stephanie gets expelled from school, she suggests going to boarding school in an attempt to get away from Jerry, but he won’t allow it. Jerry continues to try and win Stephanie over, but she continues to keep his at a distance.

The brother of Jerry’s last wife, Jim Ogilvie (Stephen Shellen), convinces a reporter to run an article on the slaying of his sister, which surfaces at a neighborhood BBQ. Jerry becomes enraged, and Stephanie witnesses a tantrum in the basement. She becomes suspicious and writes to the newspaper asking for a picture of the suspected murderer. Jerry intercepts the photo when it arrives and reacts with another violent outburst.

Ogilvie continues to investigate his sister’s killer and Stephanie confesses to her psychiatrist that she is frightened of Jerry, who continues to unravel as the film moves towards its climatic conclusion.

A couple of special features are included on the DVD. There is an audio commentary with director Joseph Ruben who later went on to direct Sleeping with the Enemy, The Good Son and The Forgotten, three intense thrillers worth seeing. “The Stepfather Chronicles” is a new featurette with interviews and behind-the-scenes information on the film.

O’Quinn is absolutely frightening as a man teetering on the edge. The film gets its first-ever DVD release on October 13th. There is also a remake being released in theaters October 16th with Dylan Walsh in the lead role. Walsh has large shoes to fill as O’Quinn’s performance is the reason the original works so well.

Tuesday, June 16, 2009

Friday the 13th Part 3 3-D (Blu-ray)

Written by Tío Esqueleto

Released earlier in the year as a Deluxe Edition DVD, Paramount’s Friday the 13th Part 3 now makes its debut on Blu-ray, tying in with New Line’s home-video release of Friday the 13th (2009).

This installment centers around Chris and her friends as they make there way to her family’s cabin at where else, but Crystal Lake. Throw in some sex, some drugs, some really bad decisions combine with Jason Voorhees, his first use of the now-iconic hockey mask, (literally) eye-popping 3-D, and you’ve got Friday the 13th Part 3. While it isn’t necessarily the best in the series, it does have its merits.

The review of the Deluxe Edition DVD can be found here.

The third installment in the franchise literally comes at us this time, not only in 1080p high definition, but also in its original 3-D presentation. The 2-D version that most of us are familiar with is also on hand but it’s this special feature that, to me, trumps all others in the franchise. But before we visit this third dimension in terror, let’s discuss its more familiar incarnation.

The standard 2-D version, while still inherent with grain, is a drastic improvement on the previous Deluxe Edition DVD released earlier in the year. Again, the grain is part of the film and to ‘scrub’ this grain away would also result in losing detail. Add to that the trappings of a low-budget production taking place entirely at night, and you’ve got a film that isn’t ever going to look like the more polished studio releases of the day. Making matters worse, it was released in the early ‘80s when nobody gave a shit about film preservation, focusing more on the future of video. But I digress since who in the hell is going to watch this version when they can watch the real thing in 3-D?!!

The 3-D on the Deluxe Edition DVD was a failed attempt for anyone without a large, preferably HD-viewing area. I watched it on a standard TV and it looked awful, giving me mostly a headache if not actual nausea. It has to do more with the size of the viewing area than anything else. With that said, watching the Blu-ray experience on a true HD television is a dream come true (yes, I’ve actually dreamed about seeing this in 3-D someday).

It’s one thing to watch popcorn and juggled apples coming at you, but it’s definitely something to write home about when you’ve got eyeballs, legs, and even a doobie in your lap. Every trick works, even the ones you didn’t notice the first time around (the antenna on the TV, the knitting needle through the mouth, blood dripping from the rafters). And when things aren’t being directly projected at the screen, you can sit back and marvel at the fact that every scene has been carefully constructed for maximum effect. Technical supervisor Martin Jay Sadoff makes sure there is always a foreground and a background present, resulting in the deep focus necessary to pull of the effect. Being an extreme enthusiast of the 3-D format, I find this title to be one of the very best examples in that every shot exploits the process perfectly.

As for the Audio portion of this release, we are given an upgrade of 5.1 Dolby TrueHD lossless audio that unfortunately, like the recent Blu-ray of Part 2, suffers in the sound FX department. Don’t worry, the dialogue and now-classic score sound great, especially when compared with the original English mono, but I can’t help but think more should have been done with the rear channels. This of course is the same soundtrack it had in the theaters and I usually wouldn’t want it any other way but in this instance, it would have been nice to have the sound be just as alive as the picture. It’s 3-D so throw some shit at my ears too! Whatever. I could seriously watch this thing without sound and still be in total awe. For purists, there is also its original English mono soundtrack, along with Spanish and French mono.

Now those that scooped up the previous Deluxe Edition DVD probably did so just to see the film in 3-D. And I’m pretty sure, unless you already had an HD monitor, this was more than a disappointment seeing that ‘Presented in 3-D’ was its only special feature. The Blu-ray makes up for it this time out by adding a nice little round of extras that, while being somewhat brief, only sweeten the pot. Along with its original trailer there is also: “Fresh Cuts:3-D Terror” (12:42) discussing the making of the film and the 3-D process, “Legacy of the Mask” (9:33) which details the origins of the iconic hockey mask, “Slasher Films: Going for the Jugular” (7:09) which has some of the most embarrassingly pretentious remarks about the genre ever made, and “Lost Tales from Camp Blood – Part 3” which in keeping precedence with the other parts, I scanned through (fan-made and I’m pretty sure my dead cat could do a better job).

Looks like a no-brainer folks. Trust me, if I could find a way to make my text jump out and throttle you into making this purchase, I would. We’ve waited 25 years to see this film the way it was intended and now we finally can thanks to the advances in technology. Hopefully the success of this 3-D release will usher in the rest of the early ‘80s titles that sit in the shadows, handicapped by weak 2-D transfers. In fact, the only thing that might possibly trump 3-D Jason is 3-D Bruce (Jaws III).

Holding breath now...

Friday the 13th Part 2 (Blu-ray)

Written by Tío Esqueleto

Released earlier in the year on standard DVD as a Deluxe Edition (and I thought we had lucked out then), Paramount’s Friday the 13th Part 2 now makes its debut on Blu-ray, tying in with New Line’s home-video release of Friday the 13th (2009).

Released in 1981, Sean Cunningham handed director duties over to producer and longtime friend Steve Miner. The film’s prologue opens two months after the horrific events of the original and introduces Jason as he seeks revenge for his mother’s death. The story then jumps ahead five years where he takes over her role terrorizing teenagers in the hands-down scariest installment of the franchise.

The review of the Deluxe Edition DVD can be found here.

Part 2 has a widescreen 1080p presentation is a considerable improvement and even boasts a new aspect ratio at 1.78:1 (all previous releases were 1.85:1). It should be noted that there is still a considerable amount of grain present but this is to be expected with its low-budget production and almost all of its running time taking place in low-lit situations. Newbies to the format, expecting a crystal-clear image, may find this troubling but it’s exactly how the film would have looked in the theaters. With grain comes detail and needless to say, it’s never looked better.

On the audio side, Part 2 boasts a new 5.1 Dolby TrueHD lossless upgrade and, while being an improvement on previous releases, it still could have used a little more work in the rear channels. The dialogue and score come across fine, a significant improvement to anyone that’s only heard it in its original mono form, but the sound FX channels are considerably weak. Again, it was a low-budget film and I’m sure that the intended sound design was little more than “crickets” or “heavy thunder”. With that said, I’d rather have what is here than a soundtrack with stock sound FX added. Other sound options on this Blu-ray are its original English Mono, along with Spanish and French Mono.

Unfortunately, the Blu-ray format brings nothing new to the table as far as extras go. All extras from the standard Deluxe Edition have been carried over and as the only plus, all but one are now presented in HD. These include “Inside Crystal Lake Memories,” “Friday’s Legacy: Horror Conventions,” “Lost Tales from Camp Blood Part 2,” “Jason Forever” (not in HD), and the original theatrical trailer.

Considering the fact that there is nothing new in the name of extras, purchasing this release may seem like double-dipping to some. But if you’re either a fan of the format or just a fan of the franchise, there’s little doubt that the presentation is the best it’s ever looked and therefore a justified purchase. I recommend it without hesitation and consider us extremely lucky that the franchise is getting the Blu-ray treatment this early in the game.

Wednesday, April 01, 2009

The Last House on the Left: Unrated Collector's Edition (1972)

Written by Puño Estupendo

Most people that I discuss horror films with are surprised whenever I say that I'm not a big fan of Wes Craven's movies. I know, I know, he's this big deal legend of horror and all that, but I just don't like his films. I generally think they're either boring or they just don't do anything for me. Sure A Nightmare on Elm Street was awesome when it came out (before it turned into the ridiculous franchise that it did) but I outgrew it. The Scream movies were anything but horror in my opinion because they didn't scare me, and I always thought that the actors and actresses in them treated the movie like they were intentionally slumming in the genre just to be "cool."

In having this conversation many times over the years, I save the most surprising fact until the moment is right. After going round and round about my non-fan status, I drop the bomb by saying "Except for The Last House On The Left; that one is awesome!" Even the most desensitized of people are known to not be able to watch that one. An unflinching tale of rape, torture, murder and revenge, Last House has a disturbing level of true horror that is only topped by the feelings you're left with after the movie has ended.

Two young women run into the wrong group of people while trying to buy some weed before going to a concert. They're abducted and subjected to every sort of nightmare that people fear when they think about that situation happening. The perpetrators of this crime later find themselves in the home of the parents of one of their victims. The parents realize what has happened and (in facing their horror) seek revenge against their guests, unleashing a ferocity all their own.

What you can't sum up in a plotline is how visceral and grotesque the feelings of this film are. Originally released in 1972 and shot with a very grainy, amateurish look and style, this movie hits beats and emotions that I don't believe I've ever seen matched before or since. It's very simple to throw the phrase "disturbing" around when talking horror, but this one earns it. I'm hard pressed to think of a film (other than documentaries) that bring the emotional strength of how repulsive and soul-crushing true violence is.

You are witness to these acts, voyeurishly standing outside them and unable to intervene. Last House holds the camera and stares at the events when your conscience wants you to look away. Maybe it's gratuitous, maybe it's even violence to the point of pornography, but maybe that's it's true lesson. The film seems to possibly have reached this point accidentally in some ways (as explained in the supplementals) but what gives the final product validation for its excesses is that it never glorifies the violence. It's heart-wrenching and brings up feelings that you might not know you had inside you.

Everytime I've seen this movie, my brain is reeling long after it's over. The tagline of "Repeat to yourself...it's only a movie" may have been used to drum up business when it was released, but it ends up speaking volumes about it overall. Yes, it's only a movie. They're all actors on the screen and what you're seeing is not real. What's real are the emotions that are brought to the surface in the viewer, giving you pause about what you thought your opinion about violence was.

The DVD presents the film in a 1.85.1 widescreen ratio and, though it's cleaned up, still has its original homemade look to it (which I loved). Featuring a commentary track by some of the film's actors and several featurettes, I found that I enjoyed the disc quite a bit. Wes Craven is interviewed (as is producer Sean Cunningham) and explains the events leading up to the filming of Last House and I found that it really did shed a lot of light on this movie. The featurettes with Craven and the actors almost satisfy the conversation you want to have with them after watching the film. It was also nice to see star Davis Hess get some well deserved interview time. His face has become iconic to horrorphiles and I welcomed his chance for some screen time through the interviews.

At the risk of overstating the obvious, this isn't a film for the timid, but I think it has more than earned it's mark in cinematic history and should never be dismissed because of its subject matter. Even though it's not something that warrants repeated viewing over and over again, this is a great disc to have and I'm glad it's out there.

Friday, March 13, 2009

Friday The 13th Part VI: Jason Lives

Written by Puño Estupendo

Oh man, I'm just going to throw out the stinker alert right now and get it over with. Friday The 13th Part VI: Jason Lives is not on my list of any horror movies I would recommend to a friend that asked me for suggestions on what to watch. Actually, I think it has now made my list of "films to never bother to watch again." Even if all you're looking for are the staples of formula that everybody makes jokes about, you're going to be very disappointed. People getting picked off, yes. Teenage sex, sort of. Counselors and Crystal Lake, yeah, it's got that too. But what this film absolutely doesn't have are naked people, any kind of scares, or (worst of all) any gore!

Tommy Jarvis continues his participation from Parts IV and V, heading for the cemetery that is the burial place of Jason Voorhees. He wants to know for sure that Jason is dead so he digs up the grave and proceeds to stab the body repeatedly with a rod from an iron gate. Look out though, there's a storm that's moved in. The fence rod that is stuck in Jason's corpse is hit with lightning, and damn if that lightning doesn't bring that guy back to life.

Jason's machine must also be coming up triple 7's because Tommy, and the pal he brought with him, also brought Jason's hockey mask with them. I'm telling you, if Voorhees had even given a shit, he would have bought a lotto ticket, bet on some horses, sat in at a high-stakes poker game, and had all the unprotected sex he could manage, cuz everything was coming up Jason that night.

Tommy escapes, his friend doesn't, and when he tries to warn the local yokel sheriff about Jason's return, he gets thrown in jail for his troubles. Add some camp kids and counselors, and a pretty hefty secondary cast of characters to kill, and you've got one pretty lousy movie. Nobody believes poor Tommy except for the sheriff's daughter. Yeah, the sheriff's daughter...the only thing that separated the sheriff and his daughter were about five years and a mustache. She frees Tommy from his imprisonment and they set out to stop Jason.

At this point, Jason has already built himself a sizable nest egg of kills, but they all sucked visually. Some of the set-up was okay for the deaths, but there was no gore at all! Boy did that piss me off. The only thing you could have enjoyed about this movie would have been the gore, but seriously, there is none. One of the few scenes where they actually showed something other than blood splattering on to the surface of something, it was a knife stuck in somebody's head. If it had been a throwing star instead, it would have matched the gore level of an old kung-fu flick.

There are also a bunch of little visual gags like Jason walking past the camp signs that say "virtue, friendliness, etc." This just showed me that even the director didn't take this shit seriously, so why bother watching it. There's kill scenes with no gore and sex scenes where people seem to manage to stay clothed. The acting is bad (even for a movie of this kind) and it just isn't fun in any ways I could figure out. Stick with the first four but leave part six alone. Tie a boulder around it's neck and drop it in the middle of a lake, only this time, make sure not to come back to it later.

Friday the 13th - A New Beginning

Written by El Fangorio

For all you sleazehounds out there, I highly recommend Part 5 (the one without Jason -- oops). It's directed by Danny Steinmann who did Savage Streets, which should be more than enough cred to those in the know. If that's not enough, the man is better known as Danny Stone, director of countless ‘70s porno films. And it shows in all aspects of this film (especially the dialogue).

This is also the installment that started the franchise's quick regression from showcasing bodycounts and gore to only showing the after-effects of each kill (if at all). After this one, the producers mistake their audience for people who just want to see Jason doing his thing -- which is basically standing in the rain looking a hundred pounds heavier than the last film.

But most importantly, this is the one that the producers, along with cast and crew, are most embarrassed about because of the atmosphere that Steinmann created on the set, which was much like a porno. While filming the sex scenes he be would standing off to the side saying, "Yeah. fuck her! Fuck her! Get her good!" It caused one of the actresses to stop the biz completely she was so traumatized by him.

In the end, you get absolutely no gore (not a drop -- all the kills are done off screen), and not even Jason. But you get a mom calling her son a "fucking dildo," you get the black kid that got joint-molested with Arnold on Different Strokes, and you have some really hot girls and boys that look straight out of the porn industry (I guarantee the dudes are from gay porn since they were the only ones with abs in the ‘80s). The lead, who was a born-again Christian, prayed for days before accepting the role, fearing it might not be the right thing to do. A born-again with abs in the ‘80s. Big surprise.

I just know that most of you will enjoy Part 5. Whereas the rest of the chapters just plain suck, this one is at least entertaining for all the wrong reasons and a milestone in that it changed the tone of the series for the rest of its duration.

All of my trivia is taken from the highly recommended book Crystal Lake Memories: The Complete History of Friday The 13th by Peter M. Bracke in case you are looking for more.

Wednesday, March 11, 2009

Friday the 13th - The Final Chapter

Written by Puño Estupendo

At the risk of letting the cat outta the bag here, I'm guessing that most of you realize that Friday the 13th Part IV is not the final chapter that it promised to be. This was the first of the 13th movies I saw in the theater and it holds a warm spot in my heart because of it. In a lot of ways, this really is the final chapter in the fact that the films that followed it in the series set the tone for what most people think of when they envision Friday the 13th. The cliche set-ups, the stupid kids, an undead Jason that just gets more and more ridiculous as each movie came out, but this one tried it's best to make up for the ridiculousness of it's 3-D predecessor and gain a little dignity as it thought it was closing up the franchise. I think it did. I think that if it had been the final film in the series people would have a completely different regard for the films and they wouldn't have ended up being such a joke.

I'm of the opinion that Friday the 13th Parts I and II are completely solid, awesome horror films. They're well made and not cliche at all. Younger or first-time viewers see them as having all of the cliches, but should realize that some of those formulas weren't so played out when those movies hit. Those are two of the horror films of the time period that created (what came to be) the formula because so many people ripped them off. I still think that if the series had stopped here, people would have some jokes about the third movie being pretty hokey, but rave about the series overall and not with their tongue in cheek.

Breaking from the mold it had set, The Final Chapter centers around the Jarvis family: a single mom and her two children, a son and a daughter. Sure, the daughter Trish is a cute blonde teenager (somebody has to be) but her little brother Tommy (played by Corey Feldman no less!) adds an element that hasn't appeared in the series before this: kids in the firing line. Tommy isn't a party-ready teen looking to get some; he's a 12-year-old kid with a talent for making masks. Even by today's standards that isn't something we're used to seeing. You get a bunch of young twenty-something actors and maybe a few older ones, but it's fairly rare to see a serial killer chasing a 12-year-old kid around.

The house next door to the Jarvis' is hosting what you've come to expect. Filled with drunk horny teens, you immediately know that there's the cannon fodder you've been waiting for. This brings us to the real treat of the film, the return of the gore master who pioneered spectacular onscreen deaths, Tom Savini. His effects and outrageous creativity of all things horrific were a huge part of what made the original 13th such a phenomenon and to get him back for this installment was the best thing the filmmakers did here. The showdown between Jason and little Tommy at the end of the movie could not possibly have been as great without the skills of Savini. The man uses a machete like a paintbrush and his finished artworks are masterpieces on morbid canvases.

The Final Chapter isn't a great movie, but it still hits all the beats and it does so with a dignity that the rest of the series seemed to have lost after it. If you need it, there's even a bit of fun factor going not only because of the Corey Feldman factor, but a young pre-freakshow with his life Crispin Glover. There's flubs galore if you pay close attention, but the end pays off large. You may be jaded to onscreen killings by this point in cinema, but this finale is still something to behold.

Tuesday, March 03, 2009

Friday the 13th (2009)

Written by Hombre Divertido

In 1980 when Sean S. Cunningham produced and directed the admitted Halloween rip-off Friday the 13th, he did not expect it to foster 10 sequels and a 2009 remake that hit theaters on February 13th.

For the 2009 film, Mr. Cunningham (executive producer) teamed up with producer Michael Bay; director Marcus Nispel, who helmed Texas Chainsaw Massacre (2003); and writers Damian Shannon, Mark Swift, and Mark Wheaton (Shannon and Swift wrote Freddy vs. Jason) to create what is actually more of a new story than a re-telling of the original.

The 2009 version opens with a newly filmed scene, in which the vengeful Mrs. Voorhees (Nana Visitor) is decapitated as she was at the end of the original. This adds little to the film, and appears to be nothing more than justification for the title, as this new outing contains more plot points from the second and third installments then the first.

The first twenty minutes of the film consists of a group of teens going out to Crystal Lake in search of a marijuana field. They unfortunately cross paths with Jason, and all but one of them are killed. The opening credits don’t roll until after Jason is done with this first group. Since the first segment has all the components of the classic slasher film, including sex, drugs, and heads that roll, they certainly could have rolled the closing credits as easily as the opening. Instead, Clay Miller (Jared Padalecki who channels a young David Keith in many scenes) comes looking for his missing sister. Clay encounters the local town folk, a new group of teens up for some fun at the lake, and of course, Jason.

Our storytellers have certainly created a new Jason. One that is faster, stronger, more creative (He puts one victim in a sleeping bag and hangs her over the campfire), and cunning. They have also given us more nudity and prolonged sex scenes than in previous Friday the 13th films, and a higher body count, all of which should be music to the ears of true fans of the franchise. Unfortunately, it is the music that really let’s us down. The original film, scored so perfectly by Harry Manfredini, was enhanced by the intense music worthy of classic horror films such as Psycho. Steve Jablonsky adds nothing to the film with his score, and we get little of the classic “Shoo Shoo Shoo Shoo” that let’s us know that Jason is coming.

It is not only the music that is failing here. The writers fail to create the edge-of-the-seat moments so prevalent in previous Friday the 13th endeavors. For the most part, Jason’s kills come too fast and obvious. The audience is also let down by never getting to see anyone killed with the wood chipper that we are shown early in the film.

SPOILER ALERT:

As in the original, Jason ends up in the lake. He again manages to come up out of the water and attack our heroine. Unfortunately, what was a classic moment in the genre (though a rip-off of Carrie) when done in 1980, gleaned nothing more than snickers from the audience in 2009. The references to the original film that open and close our new version do nothing but weaken the final product.

Recommendation: Friday the 13th continues to be a profitable venture, and this new more energetic and creative Jason could certainly give us plenty of screams in better stories. This particular story fails to provide enough tense moments to be worthy of your ninety-seven minutes. Wait for the DVD.

Wednesday, February 18, 2009

Friday the 13th Part 3 3-D (Deluxe Edition)

Written by Tío Esqueleto

Friday the 13th Part 3
picks up directly where Part 2 left off. Actually, Part 3 and The Final Chapter (Part 4) are direct continuations of the second installment, each one picking up where the last left off. I realize that that has them taking place on the completely not scary Saturday the 14th and well into the week of Monday the 16th but, really, if your going to scrutinize the timeline of this series, you had better just press “Eject” now. Suspend disbelief, embrace the clichés (it’s all part of the formula), let yourself get scared, and have a damn good time. This is Friday the 13th Part 3…IN 3-D!!!

So Part 2 ends in Jason’s terrifying shack in the woods, where Ginny whacks him a good one with the machete, and she and boyfriend, Paul, flee into the night. Omitted here is the “just when you thought it was safe” scare where Jason blasts through the window. Instead, Ginny and Paul leave the shack where we cut to Jason still lying on the ground. He reaches over, picks up the bloody machete, and begins to wriggle his way across the floor and towards the door. Pan up to Pam Voorhees’ rotting, severed head, sitting on the table, and it is right into the in-your-face credit sequence

The story (body count) for Part 3 centers around Chris (played by the wonderfully awful Dana Kimmell) and her friends as they make there way to her family cabin at where else, but Crystal Lake. There are seven of them in all, including a pregnant girl and her boyfriend (who’s prone to walking on his hands), a stoner couple, a feisty Latina, and a chubby prankster. Then there’s a couple of local storeowners, a trio of bad-ass bikers, and Chris’ boyfriend Rick (who’s already at the lake). Throw in some sex, some drugs, some really bad decisions, and, of course, Jason Voorhees, and you’ve got the next Friday the 13th movie. Throw in, for the very first time, a hockey mask and (literally) eye-popping 3-D effects, and you’ve got it in 3-D.

Steve Miner returned for his second stint in the director’s chair, for this third installment in the series where 3-D was the clear gimmick of choice. A pitchfork, a harpoon, a yo-yo, popping popcorn, a hot poker, a passed joint, a striking snake, and eyeballs popping out are just some of the scares thrown directly in your lap now that we’ve added this new dimension, this third dimension, in terror. Duck!

Also of note with Part 3 is the introduction of the now-iconic hockey mask. Whether or not they knew what they were doing, remains to be told. All I know is that part way through the movie Jason walks out of the barn, now wearing a hockey mask, and the rest is history. It isn’t on the poster. It wasn’t marketed as the new face of Jason, or anything like that. It just all of a sudden was, and it was and remains perfect.

Part 3 seemed to ramp the gore factor up again. While it wasn’t quite back to the level we saw in Part 1 (and, eventually Part 4), it was definitely a step in the right direction with some of the nastiest scenes to date.

The 12 kills are:

  • meat cleaver to the temple
  • knitting needle to the back of the head
  • pitchfork impalement through the neck
  • pitchfork to the stomach
  • throat slashed
  • spear gun to the eye
  • chopped in two while walking on hands
  • knife through the chest from underneath
  • electrocution
  • hot fireplace poker to the stomach
  • head squeezed until eyeball pops out
  • hit with a pipe; hacked with machete


The handstand halving is something to behold all cleaned up and in 2.35:1, as well as the after shot of him stacked one half on top of the other. Certainly, most of the kills were designed with 3-D in mind. The spear to the eye and the head crushing with the eyeball popping out into the camera are the most notable. They were talked about on the playground, on the bus, and just about anywhere else young boys with a taste for this sort of thing got together, as was usually the case with any recently released Friday film at the time. It was movie lore until you finally saw it for yourself, and this head crushing/eye popping scene was quickly becoming the Holy Grail.

While Friday the 13th Part 3 isn’t necessarily the best in the series, it does have its merits. First off, it is the birth of the Jason we’ve come to know and love, but just before he becomes the clichéd caricature of himself in the sub-par Friday films following The Final Chapter. We’ve added the hockey mask and, overall, Jason just seems more intense in this one. Where in the last one he seemed a bit more oafish and childlike, in this one he is fast and precise and seems to have only one thing on his mind and that is killing young kids like the ones who killed his mother. This time he is on a mission. There will be no slipping on Mom’s sweater and reasoning with this new Jason.

Friday the 13th Part 3 is also the only film in the series that is widescreen, 2.35:1, and that’s certainly a leg up in my book. Again, the handstand death is the first thing that comes to mind. Gorgeous.

The newly released Deluxe Edition DVD of Friday the 13th Part 3 is actually in 3D. Well,…kind of. Yes, they’ve included the 2-D version and the 3-D version (both on the same disc), as well as two pairs of traditional red-and-blue lens 3-D glasses. Does it work? I think that depends on the viewer and, possibly, the TV it is viewed on. I viewed it on a standard 27” screen, and after 20 minutes of trying (I tried it sitting way up close, way far back, and right in the middle, as well as with my eyes crossed, squinted, and slightly rolled back) I almost threw up and had acquired quite the headache. Technically, I could get the 3-D moments to work, but there was a lot of pain involved, and even with my Goldilocks-seating method, the screen was always either a little reddish, or a little bluish, but never quite rightish. In the end I just went back and watched all of the kills in 3D and that was enough, I guess. I finally got to dodge the eyeball as Jason squishes Rick’s head and it was worth it just for that.

Saturday, February 14, 2009

Friday the 13th, Part 2 (Deluxe Edition)

Written by Tío Esqueleto

Friday the 13th, Part 2 opens two months after the horrific events of the original. We see Annie, the heroine and sole survivor from Part 1, is still living in the town of Crystal Lake trying to put her life back together. A phone call from mom and a quick shower later, Jason is jamming an ice pick into her temple as she stares at the rotting, severed head (her own handy work form the climax of the previous film) of Jason’s mother, Mrs. Voorhees. Revenge has been served, establishing our new killer, setting the tone for the next 80 minutes.

Now, why Annie didn’t leave Crystal Lake (or New Jersey, altogether) is the first thing to come to mind, but if you’re looking for convention and logic in this series, or any fine slasher film for that matter, then you should probably just leave the room and make it easier on the rest of us who are well aware of what we are in for, and eager to play along.

So, now it’s five years later and a new group of kids has gathered at a near by camp to train as counselors for the upcoming season. Paul, the guy in charge, assures everybody that the past is the past: Jason drowned, his mother was killed, and “Camp Crystal Lake is off limits.” The only thing he’s right about is Jason’s mother being dead.

What ensues is a killing spree as Paul and half of the team goes out to the local bar, while the other half stay back to fuck and get high. Teen stuff. The staples of the genre. Paul and Ginny, his girlfriend and this chapter’s heroine, return to find the carnage and the masked man responsible. Before we know it, we are in Jason’s all-too-creepy ramshackle shack, deep in the surrounding woods, for the final showdown and eventually Jason’s first ever unmasking.

Released in 1981, Part 2 saw Sean Cunningham handing director duties over to producer and longtime friend Steve Miner, who would also go on to direct the series’ next installment. With the tagline “The body count continues,” Friday the 13th, Part 2 was to be bigger and bloodier than the last, and apparently it was, until the MPAA got a hold of it. They had been gearing up for it since the last one, which they had obviously slept through the first time around. What results are ten delightful kills where the payoffs remain on the cutting-room floor. Unlike the cut scenes from the first film, these scenes are not included here, are said to be lost forever, and will likely never be seen again.

The 10 kills are:

  • ice pick to the temple
  • barbed wire strangulation
  • claw hammer to the head
  • upside-down throat slitting
  • stabbing
  • machete to the face
  • double impalement
  • knife to the stomach
  • One presumed death (Paul)


The most notable of these being the Jeff and Sandra sex-kabob, and of course wheelcahir-bound Mark’s machete to the face and push down the stairs in the pouring rain. Now Texas isn’t the only place where wheelchairs aren’t off limits.

While it’s hard to pick a hands-down favorite in the franchise, I do feel Part 2 is the scariest. With this sequel we see the birth of Jason Voorhees as our killer. He’s not the unstoppable killing machine we’ve come to know over the years. You’re not rooting for him the way it came to be around the sixth installment in the F13 franchise (where it all went downhill in my opinion). In this one he’s terrifying as fuck and you just want him to go away. Say what you will about his now-iconic hockey mask, but Jason has never been scarier than with the potato sack, with the one eye cut out, over his head.

The newly released DVD, sadly, isn’t anything to rush out for. The transfer looks suspiciously similar to past releases and the featurettes are pretty goddamn rotten. It does have the infamous theatrical trailer with the continuing body countdown (“14…15…”), which is a real treat, but nothing new to past purchasers. There is one featurette with the author of Crystal Lake Memories, Peter M. Bracke. While the feature itself is pretty worthless, it is a great plug for the book, which I cannot recommend enough. It is a must -have for any fan of all things Friday. It really is the definitive companion, and a huge resource for this review. In fact, don’t spend your money on the new DVD (keeping in mind it has nothing to do with the film, rather this particular release), and instead save up for this book.

Sunday, February 08, 2009

Friday the 13th: Uncut - Deluxe Edition (1980)

Written by Hombre Divertido

In 1980, wanting to piggyback the success of Halloween, which had hit the big screen two years earlier, director/producer Sean S. Cunningham and writer Victor Miller sent some kids out into the woods. Said outing would spawn 10 sequels and a 2009 remake due to hit theaters Friday February 13th.

The kids sent into the woods were camp counselors set to reopen Camp Crystal Lake despite the opposition of the local town folk who had tagged the place Camp Blood, after two counselors had been murdered there many years earlier. Our new soon-to-be-corpses would go about their business not realizing until far too late that they were being killed in grizzly fashion one by one.

The film did exactly as intended in that it scared audiences and raked in money. Almost thirty years later, it still manages to be frightening, but the thanks for those goose pimples need to go directly to Harry Manfredini who was responsible for the intense music that brings true terror to what is essentially an incredibly weak story.

Though excitement is easily created as an unknown assailant kills our camp counselors in creative fashion such as an axe to the face, and arrows from under the bed that penetrate the throat of anyone not footloose enough to get away, and the blood-dripping special effects were certainly innovative for their time, but too many opportunities were missed from a storytelling perspective. Had even the slightest amount of time been dedicated to story and character development, this could have easily been an excellent “who dunnit?” as well as the innovative slasher film that it was.

The newly remastered release with a 5.1 surround mix in holograph-covered packaging looks and sounds great, but includes some less than spectacular bonus features. The standard commentary is reasonably entertaining and informative, as are “Fresh Cuts: New Tales from Friday the 13th,” and “The Man behind the Legacy: Sean S. Cunningham”, though the insight tends to get repetitive. “A Friday the 13th Reunion” is scary in its awkward geekiness as it serves to perpetuate the tacky stereotype of all such conventions and those who attend. The addition of previously excluded unrrated footage goes virtually unnoticed and “Lost Tales from Camp Blood – Part 1” screams: “College production!“ and should have remained lost. The original theatrical trailer is not only wonderful to watch and makes it easy to see how horror fans of that era were enticed to see this film, but will be appreciated more when you see the trailer for the 2009 film.

Recommendation: A rainy Saturday night, a bowl of popcorn, and this film will certainly make for a fun evening and have you yelling at the screen as weapons are left behind and rooms fraught with danger are backed into. Even if this isn’t your cup of blood, the bonus feature “A Friday the 13th Reunion” is worth watching for all the wrong reasons.

Tuesday, October 14, 2008

REST STOP - DON'T LOOK BACK (Uncut)

Written by Fantasma el Rey

Rest Stop: Don’t Look Back
. Well, they did warn me in the title.

Potential, yes this movie had it. Rest Stop 2, as I’ll call it going forward, tried to expand on the first movie and add a back story, which always gets me; I’m a sucker for histories. And I was slightly amused for an hour and a half, so I guess that’s a good thing. Anyway, as far as slashers go not too much of that took place and as for the ghost story aspect it’s just okay.

So the plot is thus: G.I. big brother of the douche that got hacked in movie one assembles a team of the usual slasher crew (dumbass sidekick and impatient, hot bitch) and goes looking for baby brother and his girlfriend. Along the way they run into all the creepy folk from Rest Stop Uno and the new crew become the hunted. But this time the new crew are aided by the Ghost of Corpse’s Past and are given clues to “the bus” where all the Driver’s evil goes down. Along the way torture of the new team ensues and half-naked chicks are placed in key camera positions.

What gives this sequel a small niche is its back story and attempt at a California Bermuda Triangle of sorts, where ghosts and spirits run rampant and torture “sinners” as they travel down “The Old Highway.” In round two of Rest Stop we get to see the “who made who” regarding the Driver and the Winnebago Family. The Driver is the hand of God that delivers the death blows while the Winnebago Family, who are religious freaks acting as seekers, helpers, set-up men, or whatever you want to call them, have at it.

So here it is, y’all (Spoiler Alert). The Family kills and tortures the Driver after the Driver bangs the preacher’s wife. Sinner! The Driver must be cleansed (killed), loses a hand and an eye as the Bible commands but in this mysterious corner of the world the body and/or spirit rises and hacks the looney family to bits, gets in his phantom truck, and drives off to an eternity of killing sinners.

We get flashes of what happened in the first movie as we encounter the ghost or almost ghost from the first movie. I say “almost” because when the ghost or these barely living people are encountered, they disappear after some key actions. So did they die awhile ago or just now after the current team finds them and “rescues” them? That part of the film does make me wonder and I was hoping that would be further expanded upon but maybe in the next two or three flicks they hope to make we’ll get the answers.

Anyway, that’s about all this movie’s got. There is not much slashing and torture as the makers wanted to concentrate on the ghost story of Rest Stop 2, which ends up rather confusing. I dig what the makers of this flick tried to do it’s too bad they fell a bit short. Sadly this whole film can be figured out by watching a few minutes of each chapter and then pressing the skip button on the DVD player’s remote; I did both and got the same results except I missed the little gore that took place: nails and drills in thighs, eyeball extraction, minor slashing with sharp objects.

The DVD’s special feature includes a decent look at what the men behind this movie wanted to do. There is audio commentary as well that carries as much insight as the featurette does. Deleted scenes don’t add much either.

So, ghoulies, in short, go watch Texas Chainsaw Massacre instead.

Tuesday, August 05, 2008

HUMAN LANTERNS

Written by Puño Estupendo

It's pretty rare, but every so often I see an older movie that I didn't know anything about, and then immediately ask, "Where the hell has this been my whole life?!" I am very pleased to announce that Human Lanterns is one of those movies.

I make no secret about the fact that I get down right giddy every time I see the Shawscope logo pop up before a film. It doesn't mean that the film is going to be good, but I'm just a huge fan of the genre, and the Shaw Brothers studio is almost on par with England's Hammer Studios as far as I'm concerned. It's no coincidence that the two companies worked together at one point, but that's for another time.

Human Lanterns has carried a rep about itself, kind of an infamy. I've always read mention of it here and there but no copy was ever to be found. All the tales about it being a kung-fu/horror movie (and just slightly crazy) have had me curious about it for a long time. It mixes genres very well, much better than others that have tried. It's definitely a kung-fu flick with period costumes, clangy swords, and swoosh sound effects, but here's the rub: they decided to throw a serial killer into it.

Two of a village's upper class are constantly trying to outdo each other. Lung and Tan seem to have everything you can have except for self control when the other is around. Both are obnoxious, but both are likable enough as well. During an argument the two are having during a big social to-do, there's mention of the annual lantern contest, and both vow to rub the other's face in it after they've won. To help insure his victory by having the most bad-assed lantern the village has ever seen, Lung starts a series of events that will eventually bring horror upon everyone involved (including himself). A madman starts playing the two against each other, all the while perfecting the art of making lanterns from the skin of the women closest to Tan and Lung.

I fucking loved it!

Don't let the age of this film fool you. Though it came out in 1982 and looks like a normal kung-fu movie on the outside, this is definitely a nasty piece of work. It's very exploitive in ways that I'm not used to seeing from Shaw Studios. Director Sun Chung doesn't shy away from the nastiness at all. The actions in this movie are mean, with scenes of women having their skin removed and even a rape, the latter of which was really jarring. Not because of its graphic nature (because it's not very graphic), but because it was in there in the first place. Usually such a thing is only insinuated in the world of kung-fu and so I was kind of shocked with what he showed on screen. But Sun Chung gives fans of exploitation cinema something very rare here, he gives them a wonderfully twisted tale, full of blood and fighting, but he delivers the goods on the look as well.

The colors in Human Lanterns are fantastic. The cinematography gives the film a real thick texture which reminded me (once again) of the Hammer Films. This makes for the one-two punch as far as I'm concerned, and this one is joining my collection as a "must show" to friends that enjoy cult cinema.

Sunday, June 08, 2008

OTIS


Written by Fantasma el Rey

The senior prom looms and all poor Otis wants is to take the lovely “Kim” as his date. He has the kick-ass tux, the hot car, and those wicked dance moves. All he needs is Kim and her family to say yes. Too bad Otis is a complete psycho and his prom was twenty years ago. So follow me now, if you dare, into the sick and twisted world of Otis. I shall be your guide on the ten-peso tour of the dark comedy, horror movie that turns the happy suburban sitcom world on edge as well as provides a new look at a played-out genre.

Otis, directed by Tony Krantz, is a clever play on the gore fest, teen slashers that most folks love and tend to think is what horror should be. It opens straight away with whom the serial killer is, how he tortures his victims, and why he does what he does to them as he catches it all on camera. After the accidental death of victim number five, we even get to see how he abducts the girls. So with that, we’re not spending the film looking for a killer, leaving what happens next the fun of Otis and why I kept watching for just over an hour and a half.

Otis (Bostin Christopher) and his new “Kim,” real name Riley (Ashley Johnson), he names them all “Kim,” begin to spend quality time in his torture garage, where he builds different makeshift sets to act out his courtship. He asks her out after the football game, takes her to a movie, and drives her around in his cooler-than-ice Trans Am. He is even proper enough to ask her parents for permission to escort her to the prom. What a guy, just a sweet kid really, who has gone a bit nuts after his parents have died and he is watched over by his older brother (played brilliantly by Kevin Pollak), who has a life of his own.

The family of Otis’ latest captive (father Daniel Stern, mother Illeana Douglas, brother Jared Kusnitz) decides to get involved as days go by and the seemingly inept and rude F.B.I. agents have no leads. The family takes matters into their own hands after receiving a call from the now-free Kim, who escaped on the hilariously sad prom night. So with Riley safe in the hospital and armed with household weapons and an evil, vengeful plan from Hell, they skulk off to the run-down residence of one Otis Broth.

Once inside the fun really begins as they wait for Otis to arrive after a long shift of pizza delivery. The door opens and the family rains down bloody havoc on the savage that abused and raped their loved one, torturing him to a brutal end; too bad it’s Otis’ brother. Oops. Once they find this out, the family of crazed killers must cover their tracks and stay cool.

Twisting, twisting, the story goes as Otis discovers the video of his mean-spirited brother’s demise and the Feds find out the truth to boot. But have no fear the Feds are hep and understand the wrath of a family in pain; they let them slide and do confide that if they could, they would do the same. No charges pressed and no striped suits to detest so all ends happily ever after, right? Wrong. What of Otis and his fate? We know he must avenge the death of his brother and reclaim his “Kim,” the genre demands this. Yet, alas my fiends that is a story for another film or is it?

Seriously that’s how it ends, well pretty much. I can’t spoil the very end of the film for you, Ghoulies, you’ll have to see it for yourselves. I do hope that Otis goes without a sequel though; leaving the film as it is gives it more meaning. A “part two,” which I do admit could be interesting if we get more of a back story about the original Kim, would put it in the same bag as all the other stupid movies it pokes fun at. I would hate to see it go on and on past its potency much like the horror films and spoofs that go beyond a second outing.

The uncut DVD has a few extras that are interesting like the audio commentary from director Krantz and writer Erik Jenderson. Two good extras to look upon are the “festive” alternate ending and the showing of the movie that Otis brings Kim to. Those two add a bit more to the movie as far as what Big O does to his girls and the alt. ending makes you wonder which is best. The DVD also includes a making of featurette with a closer look at what the cast and crew think of the film. So check it out I did and got a kick out of it once I got past the gore for gore sake's, which isn’t all that much anyway.