Written by Senora Bicho
The Mod Squad is a police drama that originally aired from 1968 to 1973. The show is centered on a small undercover unit within the police department that can get inside the youth crime scene. The trio includes Pete Cochran (Michael Cole), a runaway from a rich family, Lincoln Hayes (Clarence Williams III) from Watts, and Julie Barnes (Peggy Lipton) who is all about flower power. They are all young, living off the streets, and causing trouble until police captain Greer (Tige Andrews) talks them into they becoming undercover cops in order to avoid jail after they get each busted.
Bud Ruskin, a real life police officer who ran an undercover narcotics unit, created the show. It is said to be partially based on his experiences with that unit. The Mod Squad was also Aaron Spelling’s first television success for his newly formed production company with Danny Thomas. Spelling always had his finger on the pulse of the youth market and his first show is clear evidence of that. It offers hip kids with cool clothes, great music and a beautiful locations.
The series achieved modest popularity along with several Emmy and Golden Globe nominations with Lipton winning a Golden Globe in 1971. She was one of my favorite actresses on Twin Peaks and I always thought she was gorgeous with an air of grace, but in The Mod Squad she is hot and feisty although sometimes her broken spirit surfaces. She is the best part of the show and was very deserving of the Golden Globe. She was nominated four out of the five years that it ran while the series was nominated three out of five.
Season one sets up the story and background and features cases including murder, counterfeiting, kidnapping, and lots more. It is your typical police drama but what sets it apart is the group’s youth and the bonds they form. What is also unique is that the unit tries to help out both sides, being young they understand the problems and issues that the people they are trying to arrest are going through. This presents them with a lot of internal struggles and who exactly are the good guys and the bad guys
The time frame of the show provides a interesting element too. The clothes, slang, music, and attitudes of the ‘60s are fun to watch and really come shining through. There is no gratuitous violence and the trio doesn’t even carry guns. One marketing tag line of the show was “One White, One Black, One Blonde” which illustrates the groundbreaking aspect of the show. Putting a black guy, a white guy and a woman together as a tight-knit group let alone working together as cops was unheard of at the time.
This DVD collection includes the first 13 episodes of the first season, there were a total of 26, along with some special features. “Forming The Mod Squad” provides information about the creation of the show and includes interviews with Lipton and Cole. “Inside ‘The Teeth of the Barracuda’ 1968” offers more interviews with Lipton and Cole and focuses on the year 1968. “The Friends of The Mod Squad” is about the guest stars of the show and has interviews with Lou Gossett, Jr., Leslie Ann Warren, Tyne Daly and Ed Asner.
Sunday, December 16, 2007
Written by Senora Bicho
Written by Fantasma el Rey
Hey, gang. It’s the movie we have all waited so long for, finally out on DVD, The Simpsons Movie. Here are all our favorites from the television show in a 90-minute feature film. Marge, Homer, Lisa, Bart, Maggie and the entire town of Springfield gather together to provide…well, not much at all really. So join me now as I reflect back on the hour and a half of my life that I will never get back and could have spent doing something more productive, like watching episodes from the first five seasons of the show, way back when they were funny.
So here is the plot in a peanut shell. Homer adopts a pig about to be slaughtered after a Krusty Burger commercial shoot and takes the thing home, naming it Spider-Pig. After two days Spider-Pig’s waste, which Homer stores in a homemade silo, is full. What to do? Homer being Homer decides in a hurry to dump the silo into Lake Springfield, which by the way has recently been somewhat cleaned up thanks to the efforts of Lisa. The pig’s waste mixed with the existing gunk in the lake turns the entire body of water toxic and the town has to be contained in a glass dome. And now it’s up to Homer to redeem himself by saving the town, his family, and his friends from the mess that he created.
Along the way we get a couple of laughs, well mostly just light chuckles, smiles really and not many at that. The film has moments and that’s it, much like the current state of the TV show. We do get to see some firsts, such as Lisa’s boyfriend, Bart’s embrace of the Ned Flanders way of fathering, Marge says “God damn,” and we get to see Bart’s “doodle,” but it still isn’t enough to make me want to see this one again in its entirety, ever. The DVD does contain some okay extras that might be worth the purchase for die-hard fans, one being the commentary by James L. Brooks, Matt Groening, Dan Castellaneta, and Yeardly Smith, the others being American Idol segments and Homer’s monologue for The Tonight Show.
Besides the fact that I think this film is ten years too late I couldn’t help but get a bit excited at the opening credits, seeing as I chose not to see this thing in the theater and save ten bucks. That excitement was fleeting for even in the opening minutes of the movie I could see it was going nowhere fast and was reminded again why I no longer watch the show and haven’t for years. I do enjoy catching the reruns of those early seasons when Homer was an average, not-so-bright dad and Bart was a true hell raiser. Ah the good ol’ days.