Showing posts with label Morgan Freeman. Show all posts
Showing posts with label Morgan Freeman. Show all posts

Tuesday, November 17, 2009

March of the Penguins - Limited-Edition Giftset

Written by Hombre Divertido

On November 3rd, Warner Home Video released the 2006 Academy Award-winning documentary March of the Penguins in a limited-edition gift set.

Morgan Freeman narrates the documentary that chronicles the trek of the Emperor Penguin to its traditional breeding ground, and follows the plight of the parents as they continue to trek back and forth in order to provide for the newly hatched offspring.

March of the Penguins was not only a critical success, but a popular one as well, as the public flocked to the theatre to see a documentary as never before. Freeman’s vocal range and emotion adds to the impact of this documentary, but ultimately it is the direction of Luc Jacuet that turns what could have simply been an educational documentary, into a well-rounded story and movie.

This giftset also includes the lesser-known On the Wings of Penguins, a documentary focused on the African penguin. Though mildly interesting, it is disjointed in its storytelling and focuses too much on the penguins in captivity, which simply is not as interesting as footage of them in the wild.

The bonus material in the two-disc release actually exceeds the primary release in entertainment value in many cases. Those who enjoyed March of the Penguins, but wondered about the people filming the exploits of the engaging birds, will thoroughly enjoy Of Penguins and Men, which focuses of the adventures of the documentarians following the energetic Emperors. The dangers faced by these men are certainly intriguing, as are the relationships they develop with the amazing creatures they are studying.

Interesting but often repetitive is “National Geographic’s Crittercam: Emperor Penguins” which follows the NG team as they attach cameras and other equipment to our friends the Emperor Penguins. Unfortunately, little time is spent on the footage obtained by the cameras accompanying the penguins, and too much time is spent on a story that has already been told in March of the Penguins.

The classic Looney Tunes cartoon “8 Ball Bunny” featuring Bugs Bunny and a penguin is cute, and will appeal to children, but certainly is not one of the better Bugs Bunny adventures.

The theatrical trailer for March of the Penguins, a beautiful penguin plush toy, and a set of eight penguin postcards rounds out this gift set.

Recommendation: March of the Penguins is solid entertainment for the whole family, and this new giftset offers enough bonus material to make this a worthwhile purchase for those that already own the March of the Penguins DVD. Warner Home Video has put together a perfect gift-set just in time for the holidays.

Friday, July 11, 2008

WANTED Has Too Much That Isn’t



Written by Hombre Divertido


Wanted (2008) does have Angelina Jolie and Morgan Freeman, cool special effects, a pounding soundtrack, and at points, a frenetic pace, yet still manages to be boring and predictable.

James McAvoy plays Wesley, a cubicle-dwelling loser, who is recruited by Fox (Jolie) to join The Fraternity, a group of assassins run by Sloan (Morgan Freeman). Wesley is told that his father, who abandoned him as a child, was a recently killed legendary member of the Fraternity. Wesley is to be trained to follow in his father’s footsteps and eventually enact revenge on his father’s killer. Said training takes up a ridiculous amount of the movie, as does the miraculous healing process that the injured go through by being glazed like a Krispy Kreme doughnut.

Wesley eventually gets on board in a motivation switch that is as muddled as the rest of the script. Though most of this is bad, it fails in comparison to the absurdity that is the ending to the clunker.

Why Jolie and Freeman chose this project is a huge question, but their performances are satisfactory, as is that of McAvoy. It is the script (written by Michael Brandt, Derek Haas and Chris Morgan, based on the comic books by Mark Millar and J.G. Jones) that is the disappointment here, as even the romance between Wesley and Fox that is alluded to in the trailers never materializes.

Director Timur Bekmambetov does his best to make this script exciting, and the special effects are some of the best of the summer thus far (except for the sequence at the end with the rats), but the audience will see every turn coming long before it approaches.

Recommendation: Skip it. It may appeal to the fans of the comic books, but unfortunately it’s far too bloody for anyone that age, and too dumb for anyone older.

Saturday, June 07, 2008

THE BUCKET LIST


Written by Pollo Misterioso

Rob Reiner is good at making feel-good movies. Somehow they always make us cry and laugh during the same viewing. The Bucket List is more proof of Reiner’s working model, but it also brings up interesting views of age, life, and family.

Starring Jack Nicholson as a billionaire named Edward and Morgan Freeman as a worn-down mechanic named Carter, these two pair up as the most unlikely of friends, and it works.

Both of these men find out that they have fatal cancer and will pass away within the year. They are in the same hospital room when they are both diagnosed and decide after their short time together that they will create a “bucket list” of all the things that they want to do before they die. With that, Carter says goodbye to his wife and Edward (who obviously has enough money to do all that they desire) are off. They travel to China, to France, and even to the Himalayas for Mt. Everest. But skydiving and tattooing are also a part of the list. Then there are the more personal goals, dealing with family and the ones that you love.

Both of these actors are phenomenal. Morgan Freeman’s voice is so reassuring, that with his opening narration to the film there is a sense that this movie is for everyone. Nicholson is hilarious to watch. Some of his expressions are priceless and with one eyebrow raise, he is your best friend and your worst enemy. By casting these two well-established actors, the film becomes inviting and people want to see it.

But these actors have clearly aged and that is what the film is about. The glamour is stripped away and you are left with a new pair of best friends that have been your best friends for years. Both Freeman and Nicholson are embracing their journey through Hollywood and now they get to sit back and play aging men. Piece of cake.

Besides coming to terms with one's own death, there are many other issues of the adult world that are explored in this movie. Carter is trying to come to terms with his wife, his high school sweetheart and the only woman that he has ever been with. It is a different kind of love that he must find and come to terms with. As for Edward, he has alienated everyone that he knows and does not want to die alone.

As the men cross off each item on the list, they test themselves and each other. But as Carter says to Edward “find the joy in your life,” the audience is left to reflect on what happiness, love and our joy we have.

This film is part of the perfect formula that Reiner has produced countless times. But the thing is, it works. “The Bucket List” makes you believe in the good in people and the struggles that we all go through to become better. And that is always nice to watch.

The DVD extras for The Bucket List include an interesting interview with the screenwriter Justin Zackham called “Writing a Bucket List” about his own bucket list that he made. There is also web access when the DVD is played in a computer and John Mayer music video for the song “Say.”

Tuesday, February 05, 2008

FEAST OF LOVE



Written by Pollo Misterioso

Robert Benton’s film Feast of Love makes a valiant attempt to satisfy any appetite when it comes to love. Unfortunately, some of the life lessons that are to be taken from the movie make it seem more like a buffet line—ordinary, stale, and the choices are already made for you.

It is based the 2007 novel by Charles Baxter and boasts a great cast, with leads played by Morgan Freeman and Greg Kinnear. Freeman’s Harry Stevenson begins the film, narrating his thoughts on what it means to be human as he walks around town in the middle of the night. We then flashback 18 months before this as we see him meet up with friend Bradley Thomas (Kinnear) on a softball diamond. Here we see Bradley’s wife Kathryn, played by Selma Blair, about to go up to bat.

As a witness to the daily activities of these Portland folks, we also see how these people fall in love, and it as quick and perfect as the movies make it out to be. Our first run-in with love comes when Kathryn falls for another softball player in a bar, while she is still in the arms of her husband. In case we didn’t see it happen, Stevenson tells his wife that he saw two people fall in love that day.

Our next couple de jour is between the barista Oscar, played by Toby Hemingway, and Chloe, played by Alexa Davalos. They meet and it’s love at first sight. Their love is pure and strong, something that Oscar always acknowledges—they have nothing to fear.

Bradley represents the bumbling fool when it comes to love, for he loves blindly, and with the end of his first marriage, his approach doesn’t seem to work out for him. He keeps on loving, trying again and again to find a true a love that will love him back. His second attempt comes in the form of a real estate agent that comes into his coffee shop on a rainy day. Diana, played by Radha Mitchell, is another flawed woman that cannot seem to stay away from married men. Bradley is doomed, but even though Diana loves men that are already attached, it seems that it still works out for her.

Throughout Feast Stevenson plays the all-knowing guidance counselor to these younger couples, giving them advice from his table at the coffee shop. Interestingly, he is flawed himself, he has lost love in his life and it still haunts him. Of course, Freeman is perfectly cast in such role, but his character only gets so troubled, we never see what goes on under the surface.

The film interestingly breaks up the interaction between the couples. It is not until the end when we have caught up with our 18-month time lapse and then everyone is seemingly connected in some way. Actually, the editing between couples is a fresh approach to the story, making them seem like short films intertwined into one.

If we take it at face value, Feast indulges the viewer with many different outcomes to love, but they all end with this notion of “true love”—if one waits long enough true love will come along, one cannot be angry at someone for finding their true love. Personally, if I found out I was cheated on, I don’t think I would shrug it off and tell myself that it’s okay because they found true love, but I guess the subject of love is often taken with spoonful of sugar.

Love is painful, in the sense that those that we love may pass away, we may not always be in love, and sometimes our love finds someone else. Feast makes light of other forms of love and says that everyone will find true love, if we just keep looking. The DVD extras only include interviews with some of the cast. Feast of Love proves to be a good meal; it’s just not as nourishing as I had hoped.