Showing posts with label William Friedkin. Show all posts
Showing posts with label William Friedkin. Show all posts

Friday, October 15, 2010

THE EXORCIST (Blu-ray)

Written by Senora Bicho

I love scary movies, intense, nail-biting, edge-of-your-seat, scary movies. Most today do not live up to my definition; they involve lots of blood, gore, and torture but little suspense. The Exorcist is arguably the standard to which all truly frightening movies must live up to.

Chris MacNeil (Ellen Burstyn) is an actress raising her 12-year-old daughter Regan (Linda Blair) with an absent father. It is evident from the start that mother and daughter are very close and share a loving relationship. Regan is a very happy and normal young girl. Due to the close nature of their relationship, Chris notices immediately when Regan's behavior changes. What starts with seizures and possible physical ailments turns into something much more disturbing and psychological. Doctors prescribe medication and therapy but nothing is working and while the behavior intensifies Regan must be isolated and locked in her room.

Chris comes to believe that Regan is possessed and her only solution is an exorcism. She meets with Father Karras (Jason Miller), a priest and psychologist who has started to doubt his faith while dealing with the guilt of his mother's death. He reluctantly agrees to meet Regan but eventually comes to the same conclusion. He convinces the church to bring in Father Merrin (Max Von Sydow) to perform an exorcism which results in the ultimate battle between good and evil.

The new two-disc Blu-ray collection includes the Extended Director's Cut from 2000 and the original theatrical cut. There isn't anything particularly noteworthy with the extra material except for the spider-walking scene. While they were able to improve the scene with new technology, it still feels out of place and over the top. The extended cut disc offers a new documentary broken into three parts: "Raising Hell: Filming the Exorcist", "The Exorcist Locations: Georgetown Then and Now" and "Faces of Evil: The Different Versions of the Exorcist". There is also a new commentary by director William Friedkin, which is one of the rare commentaries worth listening to because he provides interesting insights and background information heightening the meaning of scenes and the film overall.

The Original Theatrical Version disc includes an introduction by Friedken and separate commentaries by Friedkin and by William Peter Blatty, who adapted his novel for the screenplay. There is also a 1998 documentary, interview gallery, and original ending.

The Blu-ray comes in a digibook and has been given a 1080p/VC-1 encoded transfer displayed with a 1.78:1 aspect ratio that is hit or miss. The print looks good but suffers from intermittent artifacts appearing throughout. The image shows the expected softness of its age but still offers good details. The level of grain rises to distracting levels at times, such as a scene with Father Karras and Chris walking together. Colors are strong. Blacks aren't as consistent and suffer from occasional crush.

The EDC has a DTS-HD Master Audio 6.1 surround track and the OTC has a DTS-HD Master Audio 5.1. There is good ambiance coming from the surrounds and the Devil makes good use of the subwoofer. Objects are positioned well and can be heard moving through the soundfield. While the enhanced subtle sound effects are amazing and really add to the creepiness of the film, intense scenes that should draw the viewer deeper into the action do just the opposite. Those scenes are so much louder that they actually threw me out of the story. They feel less believable because the effects are so aggressive they become unrealistic, in part, because they don't balance well with the dialogue, which gets buried at times.

While The Exorcist still offers thrills and chills, this Blu-ray package isn’t the best showcase as the Extended Director's Cut is unnecessary and the move to high definition is problematic in some areas.

Thursday, February 26, 2009

THE FRENCH CONNECTION (Blu-ray)

Written by Puño Estupendo

Director William Friedkin's 1971 cop thriller The French Connection has never looked this good.

Ever.

By his own admission, in his taped intro to the film, this Blu-ray release of Friedkin's film is the best there's ever been and is the closest to his original vision when he shot it back in 1970. The gritty, dirty New York City of 1970 serves as the canvas for the story in which Detectives Jimmy "Popeye" Doyle and Buddy Russo try to bust a shipment of heroin that's being smuggled into the city by freighter from Marseilles. A cat and mouse game evolves and what you end up with is one of the great masterpieces of the genre. More or less launching the careers of Gene Hackman and Roy Scheider, this is as good a crime thriller as they come. Shot incredibly well by Friedkin and with a disturbing score by Don Ellis, this is a gem of a film for fans of the genre and should not be missed, especially with the release of this on Blu-ray.

With a complex system of color timing, the entire film has been digitally enhanced and looks incredible. In the low lit scenes, the grain of the film is almost palpable and my jaw was on the floor at the detail of this new transfer. One of the supplemental features created just for this release gives the viewer a rudimentary breakdown on how this was accomplished. This is not a recreation of how the film originally looked when it was shown in theaters in 1971, this is Friedkin kind of getting to play George Lucas with his film. The difference is that while many films that are revisited are inherently changed, The French Connection is just given a boost that makes it legitimately better. I know this movie well; I've seen it in every form including a 35mm print at a theater, broadcast television, VHS videotape, DVD (and now) Blu Ray. This is, without a doubt, the greatest version of it that I've ever seen.

For film aficionados, this is why you should invest in Blu-ray. I see this two-disc set as not only an awesome film with a load of interesting supplementals, but this is hitting a level that invests in the preservation of classic films. Included on the second disc are great featurettes covering everything from Gene Hackman's recollection of filming to William Friedkin meeting up with people that were the inspiration for the film in the first place. There's locations revisited, commentary tracks and just all sorts of good stuff as bonuses.

The 5.1 DTS audio track absolutely roars when it needs to but yet the dialogue is always right where you want it to be. There's no fidgeting back and forth with your volume like when a disc is too loud during the action but then the dialogue scenes are way too quiet. For those of you without the bigger audio set-up at home, you'll be pleased to know that it'll sound just fine to you as well, although you might want to turn it up a little louder so the famous chase scene really knocks your socks off. Don't know what chase scene I'm referring to? Well then there's another reason for you to get this disc!

William Friedkin's enthusiasm for this product is really apparent here. He's not the most charismatic guy or even an interesting storyteller verbally, but his appearances in so much of the featurettes (that were made specifically for the Blu-ray) kind of speaks for itself. This newest version of his film obviously impressed him quite a lot and I have to say it made quite the impression on me as well.