Depeche Mode: Black Celebration (Deluxe Edition CD+DVD)

Written by Fantasma el Rey

Re-issued by Rhino as a two-disk set, Depeche Mode’s fifth album, Black Celebration is truly that and I dig it. This is where the band began to make their move in a darker direction, departing from the popish sound that dominated their earlier albums. The style begun here is what the masses would come to know as the Depeche Mode sound: dark, moody, often slow and yet still danceable. At this time in their career, the band was still primarily known as an excellent live band with no more than a small cult following.

From the get-go, Black Celebration moves and doesn’t let you down. The songs selected for the album are dominated by dark, emotional lyrics and vocals, be it low-key ballads or the pulsating drive of faster, up-tempo tunes. The band’s search for new sounds and noises to incorporate into their music is still fresh and innovative; a few of the creative sounds come from motor vehicles.

The title track opens the disk and sets the stage for the rest of the album. “Black Celebration” slowly builds to a drum-driven, metallic-ping infested, danceable tune. This flows quickly into another up-tempo cut, “Fly On The Windsreen – Final.” The lyrics are conveyed with a passionate “sense of urgency” by lead vocalist David Gahan. “Death is everywhere/There are flies on the windscreen for a start/ Reminding us we could be torn apart/ Tonight,”

Track three, “A Question Of Lust” is filled with album firsts: first question-titled tune, first slow ballad, and the first time on the disk that we get to hear Martin Gore’s quiet, plaintive, smooth vocals. “Black Celebration” is also the first Depeche Mode disk on which Gore gets a chance to shine and carry more than just a cut or two.

Question song the second is the furiously paced “A Question Of Time.” This one gives off a race against time vibe as the drums move swiftly and the keyboards provide the ominous sounds of an industrial, synth-based, electric clock ticking away doom’s countdown.

“Stripped” is the song where audio creativity runs wild. The tune opens with the sound of an idling motorbike, producing a wonderful pulse and moves into a starting Porsche. Drums crash and the keyboards continue their dominance by providing more metallic pings, suction sounds, echoes and odd inhaling. The disk rounds out with the nihilistic “World Full Of Nothing,” the piano-filled “Sometimes” with its gospel-choir opening and the eerie, “early horror movie” sounds of “Dressed In Black.”

Disk two is a DVD is good for the hour-long “Depeche Mode: 1985-86,” but the extra songs fall short. It’s not the song quality or song selection by any means. I think the sound is truly awesome; the album proper is presented in 5.1 Stereo so even when the television volume was low I could hear songs loud and clear. The tracks selected are great and some of the alternate versions and B-sides are truly gems.

The problem for me is that I rarely, if ever use my DVD player and television for listening to or playing music. So the excellent bonus tracks and live cuts are pretty much lost on me. I’m sure someday Depeche Mode will put out a kick ass B-sides and rarities box set a-la The Cure’s Join The Dots. Overall, the Black Celebration re-issue is a good set with one major draw back; then again I am a bit behind the times.

Depeche Mode: A Broken Frame

Written by Tío Esqueleto

Following the success of their seminal first album, 1981’s Speak and Spell, Depeche Mode was faced with a major dilemma. How to carry on without Vince Clarke? Clarke, the band’s songwriter and all-around musical architect, abruptly left the group citing creative differences, and a general distaste for the interviews, television spots, and constant attention that comes with a band whose star is rapidly rising. With him gone, it was up to remaining members Andrew Fletcher, Dave Gahan, and Martin Gore to prove to Clarke (and themselves) that they could carry on with Gore as sole songwriter and arranger. What ensues is 1982’s A Broken Frame, their first album as a three piece, and an album that longtime producer, and Mute Records founder, Daniel Miller would call “a transitional album” and later refer to as the beginning of the so-called dark phase.

The 2nd installment of Rhino Records re-releasing, and remastering, of the Depeche Mode catalogue includes A Broken Frame, 1984’s Some Great Reward, and 1993’s Songs of Faith and Devotion. This follows the initial re-releases of 1981’s Speak and Spell, 1987’s Music for The Masses, and 1990’s Violator. Each two-disc set comes packaged in a slick, gatefold slipcase and includes a CD of the album, as well as a bonus DVD with the album digitally remastered in 5.0, with various extras.

The CD, minus the art on the actual disc itself, has nothing to offer that wasn’t included on its original UK release. Singles include “See You,” “The Meaning of Love,” and “Leave in Silence.” Also on this album are such fan favorites as “My Secret Garden,” “Monument,” and “The Sun and The Rainfall.” A Broken Frame most certainly is a transitional album. It is a reboot, of sorts, taking the band from Clark’s original point of view to the more complex song structures of Gore’s more brooding, melancholic point of view. It is an obvious window into the future of the Depeche Mode we are familiar with today, a landmark album in a discography spanning 25 years.

The DVD, as you can imagine, is the intended point of purchase, not just for A Broken Frame, but for all of these Rhino remasters, with a bevy of audio and video content to offer. Each track from the album is reproduced in both 5.1 Dolby Digital Surround and DTS 5.1, as well as a stereo 2.0 mix. The DTS 5.1 is sure to set any audiophile’s head spinning, fan or not, most notably with “Monument” and the sweetly haunting “Leave In Silence.”

Also included on the DVD are the three rare B-sides to each of the aforementioned singles: “Now This Is Fun” (originally b/w “See You”), “Oberkorn: It’s a Small Town” (b/w “The Meaning of Love”), and “Excerpt from: My Secret Garden” (b/w “Leave In Silence”). Until now, all three of these cuts were only available on the original vinyl releases, and through The Singles box sets.

Also in 5.1 and 2.0 stereo mix are six tracks from A Broken Frame recorded live in Hammersmith in October 1982. Included are two singles (“See You” and “The Meaning of Love”) as well as “My Secret Garden,” “Satellite,” “A Photograph of You,” and an extremely rare, and wonderful rendition of “Nothing To Fear.” Outside of the overall sound quality, this is the major perk to this purchase.

Rounding out the DVD is the video content. Depeche Mode: 1982 (The beginning of their so called dark phase) is a continuation (one would assume the second installment) of the ongoing documentary produced specifically for these special editions. Each member, past and present (if applicable), as well as producer Miller and various players in the Depeche Mode family, from public relations to tour managers, recalls the atmosphere and events surrounding this release.

This particular episode deals mainly with the loss of Vince Clarke, the appointing of Martin Gore as sole songwriter, and the direction the band took, therein. Each member gives a detailed account, and it is always nice to get anything with Clarke reminiscing about his Mode days before going on to form Yazoo and Erasure. We learn that his post break-up intention was to pursue a day job, but that he was unexpectedly tapped to do a demo for a then relatively unknown Alison Moyet. The addition of eventual fourth member Alan Wilder is also covered here, from his beginnings as a hired gun brought on to help with the live shows leading up to the album’s release to his eventual retention in the lineup that would go on to define them. All in all, a very insightful 30 minutes, on a very important album.

Very few bands are, or were, as collectible as Depeche Mode has been throughout their career. To date, six Depeche Mode albums have been given the Rhino “Special Edition” treatment, with the four remaining albums slated for an early ’07 release. All of which, have been nothing short of spectacular. These re-releases have been lovingly put together with the fans in mind. A souvenir from a particular band, for a particular album, if you will. Have a favorite Depeche Mode album or period? Perhaps, A Broken Frame? Then I highly recommend picking up that souvenir.