Written by Senora Bicho
Matlock was a legal drama that aired from 1986 to 1992 on NBC and then on ABC from 1992 to 1995. Andy Griffith was the star of the show as widowed defense attorney Benjamin Matlock based in Atlanta, Georgia. The character was based on real-life attorney Bobby Lee Cook from Summerville, Georgia. The premise of the show was very similar to Perry Mason with a part of the show being the investigation into proving the innocence of the client and the rest of the show set in the courtroom. The real killer was always the last person called to the stand with Matlock unveiling the truth. The primary difference between Matlock and Perry Mason is the attributes of the main characters. Mason was more of a highbrow serious intellectual with Matlock being a lovable good old southern boy well known for his love of playing the guitar and eating hot dogs.
In Season Two, Matlock joins forces with Michelle Thomas (Nancy Stafford) as a new junior associate. He meets Michelle while on a case in London in the season premiere and after the case is over he offers her a job that she quickly accepts. In Season One, Matlock’s daughter was a fellow partner, but Linda Purl was unhappy with the direction of the character so she was written off at the end of the season with the story being she was going off to start her own firm. Matlock is also aided by his private investigator Tyler Hudson (Kene Holliday) and his assistant Cassie Phillips (Kari Liz). Another regular recurring character is District Attorney Julie March (Julie Sommers) who is also Ben’s friend and love interest.
While the majority of the cases take place in his hometown, Matlock is also willing to travel to defend the innocent. In this season he travels to London, Washington D.C., Hollywood, and Las Vegas. There are many guest stars to be found such as David Carradine, Greg Evigan, Michele Green, and Bruce Greene. It is fun to see all of these stars looking so young. Interestingly enough the episode that is set in Vegas features Marg Helgenberger who is best known for her long run on CSI, which is set in the same city.
The DVD set includes all 23 episodes from the Second Season along with one special feature, alternate endings for the episode “The Hucksters.” When the original show aired, viewers were given the opportunity to call in and pick one of three potential murders. You can watch the show as it aired to see who America picked or you can select the murderer of your choice.
I recently watched several episodes of Perry Mason and was really surprised at how smart it was and really enjoyed it. Matlock is much more simplistic, but if you like courtroom drama, there is no reason why you wouldn’t enjoy it. Andy Griffith is also entertaining and makes the show fun. In addition, Matlock’s clients are not always innocent, which makes the show more interesting and realistic. I must note, however, that the picture looks pretty bad; it is unfortunate that they didn’t do anything to enhance it.
Showing posts with label televison drama. Show all posts
Showing posts with label televison drama. Show all posts
Sunday, January 11, 2009
Saturday, January 03, 2009
The Waltons: The Complete Eighth Season
Written by Hombre Divertido
In 1971 CBS did some major house cleaning which included canceling its rural-oriented programming. In December of that same year, CBS would air Earl Hamner Jr.’s The Homecoming, which would lead them back to rural programming in the form of The Waltons in September of the following year.
On January 6th 2009 Warner Home Video will release all twenty-four episodes of season eight of The Waltons on a three-disc set. Unfortunately, by season eight, the series has jumped several sharks, and is far from the depression-era family drama that we came to know and love.
By the time we get to season eight, Richard Thomas who originated the role of John Boy is gone, and would be replaced by a one-dimensional Robert Wightman; the contract of Michael Learned, who portrayed mother Olivia Walton, had expired and she would not appear in all the season’s episodes; new family members are introduced which is never a good sign; and the thespians who had adequately portrayed the Walton children, had grown into mediocre actors tasked with carrying the series.
The writing too had grown tired by 1979, and though this season still contains some poignant moments, the attempts at lightheartedness are forced, and well beyond the talents of the current cast. For all intents and purposes the writing was on the walls of the iconic Walton home and the show would last only one more season.
The shining moments at this point in the series come from the relationship between John (Ralph Waite) and Olivia Walton. Though limited in this season due to her absence, the chemistry between these two talented actors remained strong throughout the series, and added a level of quality to this season, that only left the rest of the cast to appear to be severely lacking.
World War II served as the theme for many of this season’s episodes, but the writing generally manages to keep the family, and subsequently the audience, from being pulled into the drama associated with such an important time in our history. One exception is the storyline in the two-part season opener in which John, who is assigned to the local draft board, deals with the death of a neighbor’s son. It is the superior performance by Waite that makes this segment work.
Earl Hamner Jr. remained involved in the series from inception to conclusion, and his narrations remain throughout bringing a level of nostalgia to the series that is sure to illicit a smile from anyone who enjoyed the series in its heyday. Unfortunately Hamner also hosts the only piece of bonus material in this new release, the two-hour special: A Decade of the Waltons. Hamner’s slow delivery made for a wonderful folksy introduction to this classic show, but as a host, he was far too awkward, and lacked the personality necessary to lead us down memory lane. Hamner’s wardrobe, tinted glasses, and absence of a smile (There may have been dental issues as in the one scene in which he is laughing, he remains off camera) did not help the situation. The poor quality of this retrospective does not fall solely on Hamner as the standard clips lack continuity, and the interviews with the actors and their real-life counterparts seem overly staged and stiff. Since this special aired at the end of season eight, it is a bit generous to list it as a bonus feature.
Not a lot of notable guest appearances during the season, but it’s fun to see a young Jonathan Frakes in “The Lost Sheep,” and if you look quick you can spot Eric Stoltz sitting in the classroom in “The Valediction.”
The shows look and sound great. The packaging leaves a lot to be desired, and if both sides of the disc were going to be utilized, it would be helpful if the discs were better marked.
Recommendation: This is a classic series, but the quality began to wane after the first five seasons. Season eight is only for the true fan that wants to keep their collection up to date.
In 1971 CBS did some major house cleaning which included canceling its rural-oriented programming. In December of that same year, CBS would air Earl Hamner Jr.’s The Homecoming, which would lead them back to rural programming in the form of The Waltons in September of the following year.
On January 6th 2009 Warner Home Video will release all twenty-four episodes of season eight of The Waltons on a three-disc set. Unfortunately, by season eight, the series has jumped several sharks, and is far from the depression-era family drama that we came to know and love.
By the time we get to season eight, Richard Thomas who originated the role of John Boy is gone, and would be replaced by a one-dimensional Robert Wightman; the contract of Michael Learned, who portrayed mother Olivia Walton, had expired and she would not appear in all the season’s episodes; new family members are introduced which is never a good sign; and the thespians who had adequately portrayed the Walton children, had grown into mediocre actors tasked with carrying the series.
The writing too had grown tired by 1979, and though this season still contains some poignant moments, the attempts at lightheartedness are forced, and well beyond the talents of the current cast. For all intents and purposes the writing was on the walls of the iconic Walton home and the show would last only one more season.
The shining moments at this point in the series come from the relationship between John (Ralph Waite) and Olivia Walton. Though limited in this season due to her absence, the chemistry between these two talented actors remained strong throughout the series, and added a level of quality to this season, that only left the rest of the cast to appear to be severely lacking.
World War II served as the theme for many of this season’s episodes, but the writing generally manages to keep the family, and subsequently the audience, from being pulled into the drama associated with such an important time in our history. One exception is the storyline in the two-part season opener in which John, who is assigned to the local draft board, deals with the death of a neighbor’s son. It is the superior performance by Waite that makes this segment work.
Earl Hamner Jr. remained involved in the series from inception to conclusion, and his narrations remain throughout bringing a level of nostalgia to the series that is sure to illicit a smile from anyone who enjoyed the series in its heyday. Unfortunately Hamner also hosts the only piece of bonus material in this new release, the two-hour special: A Decade of the Waltons. Hamner’s slow delivery made for a wonderful folksy introduction to this classic show, but as a host, he was far too awkward, and lacked the personality necessary to lead us down memory lane. Hamner’s wardrobe, tinted glasses, and absence of a smile (There may have been dental issues as in the one scene in which he is laughing, he remains off camera) did not help the situation. The poor quality of this retrospective does not fall solely on Hamner as the standard clips lack continuity, and the interviews with the actors and their real-life counterparts seem overly staged and stiff. Since this special aired at the end of season eight, it is a bit generous to list it as a bonus feature.
Not a lot of notable guest appearances during the season, but it’s fun to see a young Jonathan Frakes in “The Lost Sheep,” and if you look quick you can spot Eric Stoltz sitting in the classroom in “The Valediction.”
The shows look and sound great. The packaging leaves a lot to be desired, and if both sides of the disc were going to be utilized, it would be helpful if the discs were better marked.
Recommendation: This is a classic series, but the quality began to wane after the first five seasons. Season eight is only for the true fan that wants to keep their collection up to date.
Saturday, December 13, 2008
Gunsmoke: The Third Season, Volume 1
Written by Hombre Divertido
After starting on radio in 1952, Gunsmoke came to television in September of 1955 and remained for a record-setting twenty years, which will finally be broken in the 2009 television season by The Simpsons. On December 9th Paramount released 19 Episodes from the third season of this classic western.
With the six-foot seven-inch James Arness as the imposing Marshall Matt Dillon imparting both the legal system and sometimes his own brand of justice, these episodes play out as simple good-versus-evil short plays that are both well written and well acted.
Arness is usually accompanied by well-meaning Chester Goode (Dennis Weaver), who is listed in some publications as his deputy though his specific role is not particularly clear in these episodes, as they solve various crimes, and assist Dodge City’s Doctor Galen ‘Doc’ Adams (Milburn Stone), and Miss Kitty (Amanda Blake), who ran The Long Branch Saloon, with any troubles they might be having.
Many of the episodes in this three-disc set seem surprisingly violent for the era with innocent bystanders being shot, women being beaten, Dillon and Goode often burying bodies, etc. There is also a high level of drama as these episodes are far more dialog-driven than one might expect which could be a reflection of the show’s radio roots.
Much of the credit of the success of the show has to go to Arness whose demeanor was tough, but possessed an engaging smile, and occasionally displayed an endearing sense of humor. Marshall Dillon often attempted to resolve issues with peaceful logic, but could draw his gun or throw a punch as fast as necessary, when his peaceful resolutions were failing.
Some of the guest star appearances in these episodes are priceless as we get to see the likes of Pernell Roberts, Jack Lord, and Jack Klugman playing villains. Morey Amsterdam also makes a fun appearance in an episode entitled “Joe Phy.”
There is not a lot of bonus material here, but this release does include sponsor spots featuring Arness in several commercials. The ads are primarily for cigarettes, including a morbidly amusing one in which Arness is give a carton of cigarettes as a Christmas present. With these episodes only running thirty minutes when aired, Paramount could have given us all thirty-nine episodes in one release rather than breaking it up into volumes.
Recommendation: For those looking for action-packed westerns full of shootouts and fights, Gunsmoke may actually seem tame or slow, but for those who can appreciate the solid performances of the actors and the nostalgia associated with classic westerns of the fifties, this is a worthwhile addition to any collection.
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